Hong Kong was quickly becoming industrialised in the 1960s. The market was hungry for female labourers with a grasp of crafting skills. In addition to being wives and mothers, many women entered the labour market at that time. This ‘streamlined comedy' (as it was advertised) is called Three Love Affairs, but the main action is centred on the lovers played by Ting Ying and Cheung Yee. In order to make themselves more appealing, the factory girl pretends to be the daughter of a successful businessman, while the chauffeur pretends to be from a wealthy family. Their relationship is fraught with worry and anxiety, because they are confused about their own identities, and have not yet come to terms with themselves and their lives. With the support of the Manufacturers' Association, the film was shot on location at an actual factory, evidencing a prosperous period in Hong Kong's industrial history.

The Diary of a Husband serves as an illustration for the arrival of the white-collar economy, in which the extended family is replaced by the smaller nuclear family. It is a story about four pals who work at the same office, which, like other white-collar workplaces, has become the men's primary site of life, where livings are made and friendships fostered. Meanwhile, their wives have fostered something of their own—a brigade to catch cheating husbands. Much comedy is then generated by the cat-and-mouse game between the men and the women...The battle line drawn here between the sexes remains for years, to the extent that this very same story has been retold many times in Hong Kong films, including Men Suddenly in Black, the 2003 Pang Ho-cheung film with a similar Chinese title.

The Talking Bird (能言鳥) is a 1959 Hong Kong musical fantasy film directed by Bong Luk. The film was produced by Shaw Brothers and is based on the screenplay by Tin Chi Ng.

Directed by Kangshi Mu.

Rich heir Lee Man, passionately in love with Pak Siu-ping, leaves the family defiantly after a dispute with his father Cheung-fat over an arranged marriage. Man walks into the barber shop owned by his splitting image Chiu Tak, throwing his wife Cheng Ying, friends and patrons into confusion. Believing that Chiu has strayed, the infuriated wife leaves home. Abducted to the nuptial hall, Chiu shuns the arranged bride, waiting and lurking for his escapade. The puzzle is solved when the two men finally meet face-to-face. Chiu and his wife rekindle their romance after Chiu's feigned death, plotted by Man to put their love through the ultimate test. Cheung-fat, who witnesses Pak's outpour of affection over the presumed death of Man, gives his blessing to the lovers. The barber shop enjoys a booming business with the capital brought in by Man.

A Shaw Brothers comedy starring Pearl Au Kai-Wai

Loosely based on Charles Perrault's Cinderella

A Shaw Brothers Chinese Opera based on the Qing dynasty musical play that recounts the death of the Ming dynasty through the love story of its two main characters, young scholar Hou Fangyu and a courtesan named Li Xiangjun.

A Shaw Brothers movie from 1960.