The reason for making this film is clear: it was to cover up Vojtěch Jasný's famous chronicle "All the Good Natives", an account of the tragic consequences of forced collectivisation. The pro-regime director Antonín Kachlík also focuses on the socialisation of the Moravian village, accompanied by mistakes and coercion, but in his optimistic view he emphasises the hopeful prospects leading to a happy future. Although the united village lands were born in pain, they will serve for the benefit of all the working people... As with Jasný, Radek Brzobohatý embodies the stubborn peasant, who is only slowly acknowledging the benefits of communal farming. However, unlike the poetic exuberance and pithiness of Jasný's chronicle, here we encounter a vicious posturing.

The drama of a man for whom work has become the only meaning of life. His cold and impersonal manner arouses the disapproval of his colleagues and family members and leads to alienation. Eventually, he realizes the need for "time out" to reflect on his own life...

A bricklayer, Jozef Haviar, decides to live with his family on the small farm of his father through the difficult years of the economic crisis. But on his return to his father's house he gets into a conflict with his brother. The life-and-death conflict between the two brothers documents the difficult situation of Slovak country life in the 1930s, the time of economic depression.

A psychological study of the life of a woman, a working mother of two young children. The film captures a small slice of her life, just one day, during which the heroine takes stock of what she has experienced so far and what she has succeeded or failed in. And it's not an optimistic one, as she searches in vain for a clue: her marriage has failed and her affair with a married man does not offer a bright future...

The story of a juvenile delinquent who, despite society's efforts to reform him, irrevocably ruined his life.

In the era of normalisation, a number of (pseudo)historical films were made, even described as reconstructions, which glorified the world-building mission of the Communist Party and attributed to it exclusively humanitarian intentions ("Days of Betrayal", "Sokolovo", "Liberation of Prague", "The Victorious People"). In 1929, when its fifth congress met, Klement Gottwald, who had taken the line of the Russian Bolsheviks, took over the leadership of the Communists...