Placek (Josef Kemr), the head of research in a chemical plant, appreciates the help of his younger colleague Bernát (Alois Svehlík) in the creation of a new synthetic material.

Maniac, a driver, sits on the track women, which then rape and kill. For loved ones, he is an ordinary person who has a wife and child. When exposed, he does not stop before killing his wife and takes his son hostage, under the guise of which he is trying to escape abroad.

In the late 1980s, several films were made that wanted to come to terms with the crimes of Stalinism, but they did so with a very alibi - they basically communicate that it is enough to remove the erroneous deviation of the communist regime for this social system to become fully humane again. This also applies to the immediate post-war fates of former front-line fighters - one fought in the Soviet Red Army, another in the English Air Force, another was a soldier in the Slovak Army. The difficult character check will only be completed by the 20th Congress of Soviet Communists, which condemned recent blunders. The film was made based on a proposal by former Foreign Minister Bohuslav Chňoupek.

Wild Swine is actually an ironic name for the great search operation of Prague's criminologists, who in a tangle of criminal activity of various kinds were digging around like wild swine before they managed to solve a complicated case. The story takes place in a variety of social spheres, from the Roma people to the world of Prague prostitutes and bakshellers to prominent people.

Happily ever after has a bumpy start for a young couple in a magical land when the husband is sent off to battle by a jealous prince.

In a South Bohemian village in the middle of silver ponds and dark forests lives Jindřich (Radek Valenta), who one day goes out into the world with a firm decision to free the cursed princess. On the way, he reaches a haunted mill, where the beautiful Eliška (Andrea Černá) lives with her father. Eliška likes the young man, so she tells him that the cursed princess is in the pond and Jindřich remains in the mill as a helper. However, the devil and the waterman, who like Eliška, don't like that. With the help of various intrigues and incantations, they try to expel Jindřich from the mill, but soon a third groom appears there - an old rich man. However, since Eliška rejects all the suitors, the miller's father gets angry and gives her an ultimatum: either she chooses a suitor herself by the full moon, or the one who asks for her hand first gets her. So a fight ensues between the grooms...

A loose sequel to the 1976 comedy Stormy Wine. The screenwriters and the director recreate on screen a number of characters from the South Moravian town of Pálavice, characterised by their different attitudes and approaches to work and private life. A number of serious issues touching on the times emerge around the story of the con man. The fundamental dispute between the vice-chairman Janák and the chairman of the merged cooperatives ing. Urban, as well as the satirical theme of illegal machinations and bribes, are undoubtedly of general validity.

A group of jolly young people work in the Prague Tesla factory, also spending most of their leisure time together. One of them, guitar player Zdenek, begins to shun his friends' company. He has fallen in love with Vera, who does not belong to the group. The happy-go-lucky young man already has several acquaintances and has his own method to get a girl: to take his motorcycle, his guitar and a bottle of wine and take her to a rented houseboat. Vera, however, is different and gets angry at Zdenek. But she is fond of him and thus eventually spends a whole evening with him on the houseboat. At a preventative medical examination, the doctor tells Vera she is pregnant.

The second part begins shortly after the death of Michal Dostál, the biggest bastard of them all. Michal's father and grandfather are convinced that teacher Majer was behind the murders of all three students and was avenging his sister's death. They begin to psychologically torment Majer and search for evidence. The new police investigator Karas, who takes over the case from the deceased police investigator Paleček, is also looking for evidence. Karas immediately suspects something is amiss in the deaths of the "bastards" and also begins to focus on Majer, who is now the school principal.

The aging police commissioner, who has a twenty-five-year-old fiancée, Olga, is disturbed at his sixtieth birthday party by the news from the administrator Psekov that his master, the cornet Klyausov, has been murdered. A commission, headed by an investigating judge, is sent to the estate of the debauched nobleman. The decisive evidence is a Swedish match.