Acting
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1. A taxi driver barely finishes his coffee before a young woman asks for a ride to impress her boyfriend, only to reveal her beau’s ramshackle “plan” beside his sleek car. He then smooths over a quarreling couple, helps a frustrated engineer solve his machine’s fault in a dream, and delivers a masked father’s gifts for his estranged daughter. 2. Mr. Kalina, an airport employee, fulfills a flight attendant’s plea by taking in an orphaned African girl for the night. He ensures her safe transfer to a children’s home the next day. 3. Zaza, a coquettish milliner’s assistant, juggles the attentions of a shy tailor and her stern salon manager. After a humiliating fall on the runway, the tailor comforts her and stages a private reprise, revealing where her heart truly belongs.
Jirka is a composer, his wife, Jana, a pianist. Jana would like to have an own concert, but so far she has only been selected to accompany Valenta during his concerts in Budapest. After some resentments, she accepts the proposal.
Getting into the popular music spotlight is not easy, as even an enthusiastic amateur, an overconfident young man whose singing career soon fails, will find out... A tantalising insight into the backstage of the entertainment industry, neither the musical passages nor the unexpectedly massive participation of the singing stars of the time succeeded.
A poetic film about a dove getting lost on its way to Prague getting shot down by a paralyzed boy. An artist who finds the dove becomes friends with the boy. Together they take care of it bringing it back to recovery.
The distressing fate of the Czech great Jan Amos Komenský, forced to leave his homeland after the White Mountain disaster. It depicts his encounters with various European personalities of the 17th century - the Queen of Sweden, artists and scientists. It emphasises the hero's nobility, but also his inner resilience, which allowed him to overcome many personal and professional tragedies. The parable of The Labyrinth of the World and the Paradise of the Heart becomes part of the story. However, Comenius's concept is sculpturally lifeless and, in particular, the religious dimension is "erased" from it. The simplistic biography therefore does not avoid schoolboyish dryness.
While old Oliva tells a group of children about his life as a sailor and how he met Diana and her cat with sunglasses, a strange circus arrives in town.
This is one of three 15 minute cat films made by Bretislav Pojar in 1960-61. It features mime artist Ladislav Fialka as the painter Honza. He gets into all sorts of trouble when he has to look after two little kittens. It's a mixture of live action and animation. The other two films in the trilogy are Cat’s Promise Cat School Narrator Rudolf Deyl also provided the voice for the first series for Pojar’s Pojdte Pane films in the mid 60s.
A happy little potter is approached by a huge hand which wants him to sculpt its statue. The potter refuses, wanting nothing more than to be left alone with his only friend, a potted plant. As the hand's request gives way to bribery, demands, and threats, the potter becomes more desperate to escape its clutch, leading to tragedy.
A married couple of artists move to a utopian town known for its absolute freedom, but behind the surface perversion and violence are spreading.
The first puppet film shot in CinemaScope. It is based on the famous poetic comedy by William Shakespeare. Three worlds meet in this story: the noble world of three Athens couples, a common popular world of tradesmen amateur theatre and a fairy-tale happiness of magic creatures as elves and nymphs. The film is considered the most remarkable Jiří Trnka's work and a milestone in the history of the world animation.
In 1976, the Czech New Wave philosopher and director Evald Schorm came to the Na zábradlí Theatre. He stayed there for twelve years, until his death. He raised a generation of actors who were aware of their own personalities. In The Brothers Karamazov, the then compact acting ensemble performed in full force on stage. Schorm created from ban to ban (Hamlet, Macbeth, The Brothers Karamazov, Marathon) and in front of Zábradlí, there were queues for tickets in double rows all the way to the Vltava embankment: when the subscription began, people slept outside from midnight until ten in the morning, when the box office opened, in sleeping bags, they brought fishing chairs to the theater. A ticket to Zábradlí was more valuable than Tuzex vouchers...