The film marked Yōko Mihara's debut as the star of Shintoho's series of ama films, a role she took over from Michiko Maeda.

Tamio takes Itsuko to an art gallery and the two find one painting is a nude portrait of Itsuko's mother, who disappeared twenty years ago when she was just a baby. No one knows the first thing about the artist who painted it, but he goes by the name Shiro Sofue, and he's always wearing shades in the daytime...

Kyôko Yashiro's film debut for Shintoho.

A sensual love-story between two lesbian nuns.

In the northern province, two waitresses Mieko and Hanako from Tokyo, are missing somewhere near the River Kitakami. At night, the villagers of Shirayama gather round a blazing fire, and utter incantations while an old headman tempers a sword...

Director Teruo Ishii's crime action follows the investigative adventures of an undercover cop working with a prostitution ring. It's done in an unique documentary style.

Japanese comedy film.

Kind-hearted girl next door beauty (Junko Ikeuchi) turns the heads of all the handsome boys, so three other models decide to push her off the nearest cliff. But her aunt is a witch who grants her monstrous powers to transform into a beast and get her revenge.

Freelance reporter “Scoop” Machida is hot on the trail of a prostitution ring called the Black Line, when he is framed for the murder of a young woman. Forced to clear his own name, the handsome journalist sinks deeper into the Black Line’s rotten swamp of drugs, prostitution, and murder and finds unexpected help in Maya, a steamy female gambler familiar with the neon-lit streets, shadowy alleyways, and seedy nightclubs he must navigate. The closest film in the Line series to classic American film noir, Ishii’s Black Line is a pulpy assortment of crime film conventions including the starkly expressionistic black and white cinematography by Jûgyô Yoshida, a jazzy music score by Michiaki Watanabe, and a sleazy screenplay by Ishii and Ichirô Miyagawa.