The Turboranger must prevent a Bouma from unsealing his father in order to utilize his hellfire to burn the Earth.

A man and a little girl meet in a bicycle parking in Tokyo. The little girl says she wants to watch the sea, and their travel begins. The man does not intend to be a kidnapper – he asks the girl to phone her mother and tell her she's with him. During their trip they meet various people, but they always must continue on, lest the man be arrested.

Toru Hayashi is an unremarkable bachelor who lives with his mother, until one day a young woman named Rumi moves in in the apartment upstairs. Rumi is a self-proclaimed master thief, but she needs socially awkward Toru's help to actually kickstart her so-called career.

Lacking a coherent plot, We're All Riding on a Circus Elephant depicts the collapse of western civilization as a free-form collage advocating group anarchy and actor improvisation. The stage is a boxing ring. Those actors who are "onstage" get into the boxing ring and assault each other with words. Others heckle and cheer at the sidelines, or act as a rhythm-and-blues chorus while changing costumes or wigs. Taking as its coda Andy Warhol's dictum that everyone gets fifteen minutes of fame, actor transformations depict the Breakdown of Japanese values and selfhood due to an obsession with popular American culture.

While out for a stroll, the famous detective Kogoro Akechi enters a museum and encounters a woman staring at a poster of someone who looks exactly like him. The woman is the renowned art photographer Fujiko Maiya...

A series of mysterious numbers began arriving at the Tamamura family, a family of jewelers. They were terrifying death threats. Kogoro Akechi sets out to investigate, but the culprits strike first and kidnap him, holding him captive. With Akechi in a life-or-death situation, is there any way he can escape the man who calls himself “The Magician”? And why is this magician, possessing the cunning of a devil, targeting the Tamamura family?