
Acting
From Wikipedia, the free encyclopedia. Krystyna Janda (born 18 December 1952, Starachowice, Poland) is a Polish film and theater actress best known, in the West, for playing leading roles in several films by Polish director Andrzej Wajda, including Man of Marble (Człowiek z marmuru, 1976) and Man of Iron (Człowiek z żelaza, 1981). In 1982, Janda played the lead character in Ryszard Bugajski's film Przesłuchanie (Interrogation), which first premiered only 7 years later in 1989, following the collapse of communism. Despite the film's late release, she garnered international acclaim for her performance, including winning Best Actress at the Cannes Film Festival and Polish Film Festival in 1990. Janda is also known for her leading role in the second episode of The Decalogue series of Krzysztof Kieślowski. Description above from the Wikipedia article Krystyna Janda, licensed under CC-BY-SA,full list of contributors on Wikipedia.

In Warsaw in 1980, the Communist Party sends disgruntled radio reporter Winkel to Gdańsk to dig up dirt on the shipyard strikers - particularly on Maciek Tomczyk, an independent labour union leader whose father was killed in the December 1970 protests. Posing as sympathetic, Winkel interviews the people surrounding Tomczyk, including his detained wife, Agnieszka.

A young Polish filmmaker sets out to find out what happened to Mateusz Birkut, a bricklayer who became a propaganda hero in the 1950s but later fell out of favor and disappeared.

Jacek climbs into the taxi driven by Waldemar, tells him to drive to a remote location, then brutally strangles him, seemingly without motive.

A German stage actor finds unexpected success and mixed blessings in the popularity of his performance in a Faustian play as the Nazis take power in pre-WWII Germany. As his associates and friends flee or are ground under by the Nazi terror, the popularity of his character supercedes his own existence until he finds that his best performance is keeping up appearances for his Nazi patrons.

A small group of cosmic explorers, including a woman, leaves Earth to start a new civilization. They do not realize that within themselves they carry the end of their own dream. They die one by one, while their children revert to a primitive native culture, creating new myths and a new god.

A famous Polish journalist presents a problem for the powers-that-be when he displays his full political skill and knowledge on a television show featuring questions and answers on a world conference by a panel of journalists. His enemies take away his privileges when he is away. The shock of being "unwanted" parallels a deeper disappointment in his private life: his wife has an affair with a jealous young rival, and after 15 years of marriage and two daughters wants a divorce. She offers no explanations as he tries to untie these problems himself. All the moves he makes are the wrong ones. He takes on drinking heavily with students eager to attend his seminar after discovering the class has been canceled. The journalist, once suave and commanding, is reduced to silence.
The film was inspired by one of the most important documentaries shot by Krzysztof Kieślowski, Talking Heads (1980). The director asked his interlocutors seemingly simple questions, such as “Who are you?” and “What do you want?”.

A story about women, set in the present and in 1950s Warsaw. Sabina, a quiet, shy woman who has just turned thirty lacks a man in her life. Her mother knows all about it and tries at all costs to find her daughter a good candidate for a husband. The whole situation is controlled by the grandmother, an eccentric lady with a sharp tongue from whom no secrets can be kept.

A Polish lieutenant from the Royal Air Force comes home with his British wife and faces political persecution.

Sebastien Grenier, a former French spy, is working as a financial analyst in Zurich. However, his peaceful existence starts to disintegrate when he is recruited by a top French intelligence operative to discover how one of their own secret agents was found out and executed in broad daylight.










