Suna, who attracts attention with her beauty and personality, goes on vacation with her friend Ayla, who has severed her ties with romantic relationships. This vacation brings out their sexual desires and drags them into an unwanted predicament.

An orphaned Kurdish child (Hêjar) and a Turkish pensioner (Rıfat) are thrown together by circumstance. Rıfat, a widowed retired judge, refuses to get involved in politics. He is forced out of his solitude, when Hêjar the only survivor of a police raid on his Kurdish neighbors, takes refuge at his home. Gradually, he warms up to the kid and decides to reunite her with her family.

Gül is a beautiful girl who lives with her mother by making carpets in Isparta. When her mother dies, she becomes derelict and decides to go to Istanbul. She is envied for her beauty and is attacked wherever she goes.

A soldier who supports the War of Independence in occupied Istanbul falls in love with the daughter of the occupying commander.

The film tells the story of a family who moves from a village to the city. Fatma moves to Istanbul after her husband is killed in a blood feud. There, she starts working as a doorkeeper in an apartment building. Her eldest daughter, Halime, is in a relationship with Rıza, a wealthy married man. Her younger daughter Ayşe, who is studying fine arts, is ashamed of her mother's job as a janitor. Her son Yusuf, on the other hand, is determined to avenge his father's death. He waits for Mahmut, the man who killed his father, to be released from prison. While Fatma tries to protect her daughters, she also struggles to convince Yusuf to abandon the blood feud.

Suzan died 25 years ago. But after seeing his son's loneliness and despair in the world, he had to return to the world at the end of these 25 years. The world he left is completely different from the world he finds. Suzan suffers from a deep adaptation to this change. After a while, he realizes that he must adopt such a fit.

‘Theatre is my life,’ Yıldız Kenter admits in her biography written by Dikmen Gürün. This is the story of a star, who has dedicated her whole life to her theatre company, students, the stage. Recounting the prizes received as well as the prices paid for pursuing your passion, Sweetie is a testimony to the transforming cultural landscape of the country as it tells Kenter Theatre’s story and thus how a private theatre has managed to survive. Including interviews by family members, students, fellow actors, as well as rare archival images and footage, Sweetie is an homage to the ‘North Star of Turkish theatre.’ The documentary was written by Zeynep Miraç, scored by Murat Evgin, and features Dikmen Gürün as advisor.

Car mechanic Şemsi separated from his wife years ago and lives alone, far away from his only child. Celal is a disciplined retired colonel married to Zarife. İsmet is an introverted film buff who has spent his life on the island, while Galip is a faithful platonic lover who has lived a strange "love" with Rosa, a Cuban woman he saw only once, and has never betrayed this woman with whom he has been corresponding for years. Unable to afford to go to Cuba or bring Rosa there, Galip falls ill and learns he has cancer. His friends do everything they can to make him happy before he dies, even putting their homes up for sale. But when the money still isn't enough, there's only one thing left to do: To obtain the money needed to send Galip to Cuba, they decide to rob five charming elderly bankers!

After several years of numbly mourning his parents death, 26 year old Selim takes a chance on the US lottery for passports and wins. He decides to sell the family olive grove to raise enough money to live in Manhattan and to break all roots to Turkey, leaving his girlfriend behind. When Selim's aged grand uncle, Nasuhi returns from Russia after 58 years he asks Selim to visit with him the olive grove of his youth. Before they depart, Nasuhi finds a beaten Russian girl, Olga who was robbed when she tried to sell herself to raise money to continue her own search for her sea faring father.

The film deals with the bleeding wound of smuggling in the Southeast.