Taro is a 12-year-old into baseball and radio, especially "Music Express," a song-request show. Sound quaint? But it is 1977 and a small town in Hokkaido, a more innocent, pure-hearted time and place, we are told. Taro, however, has a blood disease that lands him in the hospital where his aunt is a nurse. Rounds of tests, transfusions and injections sap his spirit, despite the kindness and dedication of his young doctor and the Doctor's hospital-director father. The latter, a music buff who broadcasts classics over the hospital's PA system, asks Taro to relieve him as DJ — and soon the boy is ensconced in the hospital director's well-stocked library-cum-studio, spinning popular J-Pop tunes. He also becomes acquainted with Tamaki, a girl he first calls "the mummy" because of her bandages and full body cast — she was injured in a traffic accident. He later changes his tune when she is revealed as a cute 13-year-old — for him, an older woman...

Yoriko, a lonely housewife, spies on her neighbors through a hole in the wall of her kitchen.

Charts the troubled teenage years of students Yūichi Hasumi and Shūsuke Hoshino, exploring the shifting and complex power dynamics of their relationship against the backdrop of Yūichi's love for the dreamy and abstract music of pop star Lily Chou-Chou.

Yoriko, a lonely housewife, spies on her neighbors through a hole in the wall of her kitchen.

Yoriko, a lonely housewife, spies on her neighbors through a hole in the wall of her kitchen.

Behind the scenes documentary about the filming of "Hana & Alice", which began as a series of shorts promoting Kit Kat

Two love stories set in Shibuya, Tokyo.

A documentary looking back on the making of Shunji Iwai's TV play Fireworks, Should We See it from the Side or the Bottom?.

Christmas-themed omnibus TV movie: Hotdog Express; Documentarytic; 祭典の日

Compilation film featuring short works from directors Hitoshi Yasaki ("Short Cakes"), Yuki Tanada (scriptwriter "Sakuran," "Tsuki to Cherry"), Hiroyuki Nakano ("Stereo Future," "Samurai Fiction"), Masahiko Nagasawa ("Yoru no Picnic"), Masaya Kakehi ("Bijokan), and more for a total of 18 shorts. This time around the theme is "24 hours," where filming for each work must have been completed in 24 hours in order to appear in this film.