
Directing
Kornél Mundruczó (Hungarian: [ˈkorneːlˈmundrut͡soː]; born 3 April 1975) is a Hungarian film and theatre director. He has directed 19 short and feature films between 1998 and 2021. His film Johanna was screened in the Un Certain Regard section of the 2005 Cannes Film Festival. The production of White God, another of his full-length films, was supported by the Hungarian Film Fund. It won the Prize Un Certain Regard at the 2014 Cannes Film Festival and was screened in the Spotlight section of the Sundance Film Festival in 2015. Description above from the Wikipedia article Kornél Mundruczó, licensed under CC-BY-SA, full list of contributors on Wikipedia.

A boy returns home from the institution where he grew up, but finds he is not welcome there. He fights to win the love of his family but ends up murdering them.

Waiters’ competition at Heroes’ Square in the late thirties. Dressed as waiters, Kapa and Pepe awake in the bronze chariot of the millennial sculpture group. They drive along the Danube promenade, and on the concrete reinforcement of the demolished Budapest rondella hotel they get involved in a showdown of political background. In the burnt-down Sports Hall the waiters train for a last supper, Pepe and Kapa run around the big laid table with trays in their hands. While doing so, Pepe keeps crying out: "I am the best one, I am the most beautiful one, I am the king, I am the god..." Sitting in a boat on the Danube, a ship goes past them, and the Niagara falls, majestic and breathtaking, resound in their ears. On each passing away something new will come to life – as rapped by Sub Bass Monster.

Jancsó’s farce, similar to the previous ones, is about our time and about death. Pepe marries into a family of mafiosi, with the father-in-law rolling in money. In a joint venture they establish the first Hungarian Prison Limited company, where there is a menu, the prisoners are residents, and they furnish the place of execution for those volunteering to execute themselves. It turns out that the first voluntary hanging should be demonstrated on Pepe. In 180 AD Emperor Marcus Aurelius is dying in Vindobona, being fed with blades of hay by uncle Miki himself, and his son Kornél Mundruczó. Kapa provides for communication: he insists on telling lies, lies and again lies. Furthermore, there are several to die and to revive, to win and to lose, and Melancholy Béla is still alive.

Concerning the Mátyás era in Hungarian history, during the reign of Matthias Corvinus (1443–1490), the film focuses on three eras of the king's life: the young Mátyás fights for the throne, the older Mátyás as king, and the fate of the royal crown and the royal heir after his death.

13 year old Lili fights to protect her dog Hagen, and is devastated when her father sets Hagen free on the streets. Still innocently believing love can conquer any difficulty, Lili sets out to save her dog. Failing in his desperate efforts to find his beloved owner, Hagen joins a canine revolt leading a revolution against their human abusers.

Three young friends, from the Hungarian countryside, want more sex and excitement in their life. Together they undertake a journey to Lake Balaton, where they hope to find plenty of summer fun as well as a temporary job.

Two teenage girls murder a taxi-driver. A portrait of a generation for which sex has a whole different meaning.

A man comes home to meet his mother and sister after many years away. He finds his mother living with a new boyfriend, and his sister to be grown-up. He begins to settle down in this new place by building a new home for himself on the delta. But when his sister moves in with him and the two begin a romance, there are tragic consequences.

A man comes home to meet his mother and sister after many years away. He finds his mother living with a new boyfriend, and his sister to be grown-up. He begins to settle down in this new place by building a new home for himself on the delta. But when his sister moves in with him and the two begin a romance, there are tragic consequences.

The film homes in on a relatively taboo subject which also seems to be a rising phenomenon in recent years: teenage suicide. Written by the director, the story revolves around a class of high schoolers who are attending a summer camp. Restless 18-year-old Milán is preparing his very own showdown. A love triangle is forming between himself, Anna and Dani. The tension mounts during a hike, at the end of which the three of them are sent home. The question of their feelings remains unresolved, and the showdown never happens. One year later, following graduation, the camp takes place once again. But Milán is no longer with them: he took his own life during the previous semester. His classmates remember him and struggle to process their loss…

Peter returned from prison in his native city, in the hope that it will begin happy days. With surprise he learns that his sister became a foster mother to the newborn boy, but a real mother of the child - extravagant and slutty Maya wants to take it back. Peter falls in love with Maya. He's torn between his girlfriend and trying to manipulate sister. But he has to make a choice, and the happiness was so close, melt into thin air.

Peter returned from prison in his native city, in the hope that it will begin happy days. With surprise he learns that his sister became a foster mother to the newborn boy, but a real mother of the child - extravagant and slutty Maya wants to take it back. Peter falls in love with Maya. He's torn between his girlfriend and trying to manipulate sister. But he has to make a choice, and the happiness was so close, melt into thin air.

A boy returns home from the institution where he grew up, but finds he is not welcome there. He fights to win the love of his family but ends up murdering them.

A boy returns home from the institution where he grew up, but finds he is not welcome there. He fights to win the love of his family but ends up murdering them.

Johanna, a young drug addict, falls into a deep coma after an accident. Doctors miraculously manage to save her from death's doorstep. Touched by grace, Johanna cures patients by offering her body. The head doctor is frustrated by her continued rejection of him and allies himself with the outraged hospital authorities. They wage war against her but the grateful patients join forces to protect her. This is a filmic and musical interpretation of the Passion of Joan of Arc.

Tracing three generations of a family that is unable to process its past in a society still coping with the wounds of its history, from a surreal memory of World War II to modern-day Berlin.

Tracing three generations of a family that is unable to process its past in a society still coping with the wounds of its history, from a surreal memory of World War II to modern-day Berlin.


