In 1915 a man survives the Armenian genocide in the Ottoman Empire, but loses his family, speech and faith. One night he learns that his twin daughters may be alive, and goes on a quest to find them.

Baran, a war hero, becomes sheriff of the capital and refuses to bow down to a tribal chief.

When Lady Winsley, the famous American novelist, is discovered dead on the remote Turkish island of Büyükada, the great detective Fergün is sent from Istanbul to solve the murder case. With the help of Azra, the beautiful local hotel tenant, he must confront stubborn members of the island community to untangle well-guarded family secrets and discover who the murderer is.

While handing out food at a charity organization, Laura, Evîn and Julia unexpectedly cross paths. Laura, a released prisoner, defends Evîn, a Kurdish woman, when she is racially insulted by a man waiting in line. Eventually the situation gets out of hand.

The incredible true story of Lufthansa Flight 181, which was hijacked by the Popular Front for the Liberation of Palestine in October of 1977, and the noble efforts of stewardess Gabriele Dillmann (Nadja Uhl) to ensure the safety of the terrified passengers throughout the harrowing ordeal. When terrorists sympathetic to the cause of the German Red Army Faction seize control of the flight, German chancellor Helmut Schmidt refuses to negotiate. Meanwhile, terrorist leader "Captain Martyr Mahmud" grows increasingly agitated, and the Yemeni government refuses to let the plane land on their soil. After Captain Schumann (Thomas Kretschmann) makes an emergency landing in the sand, he is brutally executed in front of the passengers by "Captain Martyr Mahmud" (Said Taghmaoui), who then forces the co-pilot to fly the plane to Somolia. Once there, counter terrorism measures quickly get underway as the passengers brace themselves for the worst.

Where do you hide from danger, when you can not hide anywhere? The little girl Bahar believes she has found a way.

When an illicit arms deal goes bad, North Korean spy Pyo Jong-seong finds himself targeted not just by the South Koreans but also his own bosses.

After his release from the military hospital where he was receiving treatment for a past trauma, Hakan tries to resume a normal life and form a proper relationship with his daughter. Excelling for its mature performances and its stylisation of image and sound, the film foregrounds Hakan’s wounded soul and underlines his vehement efforts to break free from his own private prison.

Running from the war, Hêvî (‘hope’ in Kurdish) and Walat await the human trafficker who will drive them across the border in the freezing cold. Beyond the mountains the couple will be safe, but they have a ways to go. Once they are on their way, the driver tells Walat to cross the border on foot. Hêvî stays behind with him.