Childhood friends Tracy, Chloe and Alice share an apartment over the summer. They live close together, meet guys and sell their company as well as sex. With a romantic imagery and sometimes provocative theme the female debutant director Luk Yee-sum give the audience a playful story about sexuality, desire and friendship.

“The Moment” is about four relationships. A couple breaking up yet holding tight; a father and a daughter meeting up after a long separation; a girl escaping from growing up; and two buddies’ reunion after years of misunderstanding, each connected by a vintage photography studio holder.

Patrick Kong-produced look at promotion girls mildly serves his devotees – which, all things considered, does account for something. Closer to PG-13 than PG, if you're looking for a ratings guide.

“Ambivalence means… nothing has happened, but you remember everything.” Another coming-of-age story about youngsters who are always desperate for but also afraid of falling in love, director Heiward Mak (High Noon, Ex, Diva) continues to examine the ambivalence of youthful love like an autopsy in this episodic adventure among a group of twenty-something. These characters might be a bunch of losers in love who are searching for self-esteem and recognition, but what make these intertwining tales relevant today are not just the pain and longing, but also the bittersweet memories and emotional growth of Hong Kong’s post-90s generation.

When suffering becomes intolerable, our primal instinct kicks in and a victim becomes a survivor, the weakest prey deemed expendable as an unfortunate but necessary part of collateral damage. A withdrawn boy and his rebellious stepsister fall in love and lust in the shadow of their abusive father. The tipping point is passed one day and all hell breaks loose, releasing angst-ridden teenage yearnings for freedom that results in hurt, damage and blood.