While Mr Raven is crafting a cardboard birdhouse, Koyaa is preparing to paint. As he grabs his brush, the canvass starts folding all by itself, turns into a paper airplane, and flies off. Koyaa will need a special plan to outsmart the tricky paper sheet.

Koyaa is painting a wooden chair. He notices he got some of the blue paint on the trashcan, too. He tries wiping the stain but that just smears it around, so he decides to paint the whole can blue instead. The can resists, rolling off on its little wheels, racing and chomping, as it goes, on the newspaper Mr Raven was using to build his birdhouse. Koyaa needs a clever way to catch it!

While Mr Raven is crafting a cardboard birdhouse, Koyaa is preparing to paint. As he grabs his brush, the canvass starts folding all by itself, turns into a paper airplane, and flies off. Koyaa will need a special plan to outsmart the tricky paper sheet.

The Great Lisbon Earthquake of 1755 is narrated with brief allusions. Inspired by a mural on historic ceramic tiles, a poetic metaphor is developed about decline and rebirth and accompanied by appropriate guitar music.

Koyaa tackles everyday situations in his own wacky way.

Koyaa is painting a wooden chair. He notices he got some of the blue paint on the trashcan, too. He tries wiping the stain but that just smears it around, so he decides to paint the whole can blue instead. The can resists, rolling off on its little wheels, racing and chomping, as it goes, on the newspaper Mr Raven was using to build his birdhouse. Koyaa needs a clever way to catch it!

Childhood memories of fishing with grandpa grow so vivid they visit the protagonist's present experience.

Koyaa tackles everyday situations in his own wacky way.

Tom (4 years old), Suzanne (8) and Derek (10) spend the weekend with their grandparents. But nothing is as usual: Grandpa seems to be elsewhere; Tom wonders where Grandma has gone, she who always tells him incredible stories; Derek is hard at work renovating the old apple tree hut. So following in the footsteps of her ancestor, Suzanne improvises herself as a storyteller to illuminate the house with imaginary and wonderful stories and try to fill the absence of Grandmother. The movie is an adaptation of three tales written by Arnost Goldflam.

The Great Lisbon Earthquake of 1755 is narrated with brief allusions. Inspired by a mural on historic ceramic tiles, a poetic metaphor is developed about decline and rebirth and accompanied by appropriate guitar music.