
Directing
Koji Fukada (深田 晃司, born 1980) is a Japanese film director and screenwriter. Born in Tokyo, Fukada had a father who was a film aficionado and he watched many films on VHS when he was young. When he was 19 years old studying at Taisho University and discovered the Film School of Tokyo, he began taking evening classes in filmmaking. One of his teachers was Kiyoshi Kurosawa. He made his first feature-length film, The Chair, in 2002. He joined the Seinendan theater troupe, headed by Oriza Hirata, in 2005, and has often used their work and their actors in his films. His film Hospitalité won Best Picture in the Japanese Eyes competition of the Tokyo International Film Festival in 2010. Au revoir l'été won the grand prize and the prize of the young jury at the Three Continents Festival in 2013 and his 2016 film Harmonium won the Prix du Jury in the Un Certain Regard section of the Cannes Film Festival. Description above from the Wikipedia article Koji Fukada, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Saeko and Yukako live together in a small apartment complex in Tokyo. After the Tohoku earthquake in 2011, both live in a state of unease. Saeko, who is in a divorce, is worried that her daughter is exposed to radiation. Yukako is also afraid of radiation and tries to convince her husband to move. The two become friends after Yukako tries to save Saeko after a suicide attempt.

Theatre 1 (Observational Film Series #3) is a feature length documentary, which closely depicts the world of Oriza Hirata, Japan's leading playwright and director, and his theatrical company, Seinendan. By depicting them, the film leads the audience to revisit fundamental but timely questions: What is theatre? Why do human beings act?

Experimental short movie mostly made of still photos, following a strange woman looking for the truth behind a high school girl's death.

In this black comedy the lives of a timid small-time printer and his young wife are turned inside out by the arrival of a stranger who moves in and takes over their world. Set in a village-like outpost in the heart of Tokyo, this is a wry commentary on Japanese xenophobia. Kiki Sugino heads a spritely ensemble cast.

A young man is unable to have relations with the girls he likes. A pimp meets him after having a strange experience and they are althogether on a bizarre ride through a gloomy and disconnected Tokyo.

After failing her university entrance exam, Sakuko is invited by her aunt Mikie to spend summer vacation in a beautiful seaside town. Sakuko gets to know the people of the town, including Takashi, a shy relative of her childhood friend.

Just before the end of World War II, the Yalta Conference was held by the “Big Three” Allied leaders: Franklin Delano Roosevelt of the United States, Winston Churchill of Britain, and Joseph Stalin of the USSR. Japanese theater company Seinendan reimagines their conversations about postwar rule and power as a darkly humorous satire.

Taeko and her husband, Jirō, are living a peaceful existence with her young son, Keita, when a tragic accident brings the boy's long-lost father, Park, back into her life. To cope with the pain and guilt, Taeko throws herself into helping this deaf and homeless man.

Taeko and her husband, Jirō, are living a peaceful existence with her young son, Keita, when a tragic accident brings the boy's long-lost father, Park, back into her life. To cope with the pain and guilt, Taeko throws herself into helping this deaf and homeless man.

Taeko and her husband, Jirō, are living a peaceful existence with her young son, Keita, when a tragic accident brings the boy's long-lost father, Park, back into her life. To cope with the pain and guilt, Taeko throws herself into helping this deaf and homeless man.

The Japanese painter FUKAZAWA Takeshi expresses in pictures the novel written by Honoré de BALZAC “La grenadière”. Over 70 tempera paintings are beautifully brought to life and put together by FUKADA Koji for this Ga-nime that tells us the story of a mother and child in the 19th century, coated in a music that punctuates the whole experience. FUKAZAWA and FUKADA thus succeed in reproducing the ambiance of this mansion so dear to BALZAC, as the artistic pictures call to the imagination and the emotions of the viewer that only be so aroused by a Ga-nime.

The Japanese painter FUKAZAWA Takeshi expresses in pictures the novel written by Honoré de BALZAC “La grenadière”. Over 70 tempera paintings are beautifully brought to life and put together by FUKADA Koji for this Ga-nime that tells us the story of a mother and child in the 19th century, coated in a music that punctuates the whole experience. FUKAZAWA and FUKADA thus succeed in reproducing the ambiance of this mansion so dear to BALZAC, as the artistic pictures call to the imagination and the emotions of the viewer that only be so aroused by a Ga-nime.

Toshio hires Yasaka to work in his workshop. But then this old acquaintance, who has just been released from prison, begins to meddle in Toshio's family life.
