Trümpi follows Swiss jawharp virtuoso Anton Bruhin in a voyage of discovery, as he encounters the techniques and traditions of his instrument, as found across Europe and Asia.

In a small hot spring town in Japan, a ferocious ancient shark reawakens and begins terrorizing the local hot spring facilities. As the threat escalates, the townspeople band together to protect their beloved town from the menacing predator, leading to a fierce and thrilling battle.

Ikue Mori continues to be one of the most respected and original voices in the laptop electronic music scene. Distinct and personal, her sounds are immediately recognizable as her own. For the past several years she has been incorporating visual imagery into her presentations, animating cutouts from Japanese woodblock prints in ways both charming and disturbing. Her latest work is her best yet, and draws upon the rich literature of Japanese Kibyoshi, satirical comics which pointed sharp barbs at contemporary society with a sharp focus on gossip, literature, political affairs and current events. Reversing, inverting and twisting truth and fiction, Ikue Mori creates a rich world of her own with sound and image.

Lacking a coherent plot, We're All Riding on a Circus Elephant depicts the collapse of western civilization as a free-form collage advocating group anarchy and actor improvisation. The stage is a boxing ring. Those actors who are "onstage" get into the boxing ring and assault each other with words. Others heckle and cheer at the sidelines, or act as a rhythm-and-blues chorus while changing costumes or wigs. Taking as its coda Andy Warhol's dictum that everyone gets fifteen minutes of fame, actor transformations depict the Breakdown of Japanese values and selfhood due to an obsession with popular American culture.

A student travels back to Kobe for the summer. Once there, he meets his friend Rat, hangs on the usual place, listening to the Beach Boys and meets a mysterious twin girl.

A samurai warrior is terrorised by the demon Agi.