The Swedish 19th century engineer Salomon August Andrée sets out to become the first man on the north pole. His idea is to launch a polar expedition using a hydrogen balloon, together with two friends. The balloon, "The Eagle", takes off from Svalbard in 1897, but the three men are never heard from again.

A young writer named Espen Arnakke tells the story of his escape from the small Danish town of Jante. Espen boards a ship headed to Newfoundland, but the harsh conditions on board makes him jump ship, and he ends up in the little town of Misery Harbour. There he meets the girl of his dreams. But his passion shifts to jealousy when one of the men from the ship mysteriously appears in town, and sets out to make Espen's life a misery.

Morgan Kane, out hunting, is suddenly caught in bad weather and takes refuge at Fort Collins where two outlaws tries to murder him.

A great crazy-comedy from Wam & Vennerød. Bryllupsfesten (English: The wedding party) is a 1989 Norwegian comedy film written by Petter Vennerød, and directed by Vennerød and Svend Wam, starring Knut Husebø and Eli Anne Linnestad. Businessman Carl Otto "Totto" Holm (Husebø) is on the verge of bankruptcy, and plans a staged robbery of the family's Munch engraving.

The young kitchen maid Liv and the German officer Franz meet in the military camp where Liv works. They develop a friendship and decides to flee to Sweden.

Julia washes train coupes for a living. When she meets the married Karl-Henrik, the secretary of the Minister of Justice, she falls in love and gets him involved in criminal activities

A harrowing and ironic story about the first big and well educated generation born after WW2, living without any major concerns between 1965 and 1975.

Pennsylvania, 1928. Billy Kelly, a sixteen-year old boy, meets a mysterious traveler claiming he's the messenger of God. Falling under under the spell of this "doctor" Reese, he will soon discover Reese has murderous plans for his future. Based on a true story.

A meta-film about a film and the common man in our own political reality. A reality that is just scenes of a film without any cinematic development, but which might be plain reality tomorrow.