A paean to alcohol as a means of survival to this world, and to the ephemeral communities created by our need not to be alone. On Christmas Eve, between six in the evening and four at night, Klaus Wildenhahn films people who are excluded from this "must be" celebration, and land up in a bar in St. Pauli, Hamburg: truck drivers and prostitutes, regular or casual customers, a coach and an amateur boxer... all desperately in search of happiness, tenderness and sex.

A paean to alcohol as a means of survival to this world, and to the ephemeral communities created by our need not to be alone. On Christmas Eve, between six in the evening and four at night, Klaus Wildenhahn films people who are excluded from this "must be" celebration, and land up in a bar in St. Pauli, Hamburg: truck drivers and prostitutes, regular or casual customers, a coach and an amateur boxer... all desperately in search of happiness, tenderness and sex.

A paean to alcohol as a means of survival to this world, and to the ephemeral communities created by our need not to be alone. On Christmas Eve, between six in the evening and four at night, Klaus Wildenhahn films people who are excluded from this "must be" celebration, and land up in a bar in St. Pauli, Hamburg: truck drivers and prostitutes, regular or casual customers, a coach and an amateur boxer... all desperately in search of happiness, tenderness and sex.

Documentary about a steelworker strike on New Year's Eve 1978/79.

The two-part documentary introduced people in the villages and less populated areas of the Federal Republic. The prevailing structures, worries, hardships and hopes were shown - a portrait of the 1970s.

Jazz and its milieu. Klaus Wildenhahn films the Jimmy Smith Trio in New York. With the addition of a white guitarist, Kenny Burrell, the band is in the studio recording the Rolling Stones current hit “Satisfaction”, as a tribute to the successful British Beat musicians, who were themselves inspired by blues and jazz.