
Writing
Klaus Rifbjerg (15 December 1931 – 4 April 2015) was a Danish writer. He authored more than 170 novels, books and essays. In 1965 he co-produced the film 4x4 which was entered into the 4th Moscow International Film Festival. Rifbjerg was born in Copenhagen and grew up on the island of Amager, which is part of the city, the child of two teachers. Later he studied English and literature, in Copenhagen and for a year in the US at Princeton University. His breakthrough was in 1958 with the novel Den kroniske Uskyld. It was made into a film in 1985, directed by Edward Fleming. From that time on he published more than 100 novels as well as poetry and short story collections, plays, TV and radio plays, film scripts, children's books and diaries. Rifbjerg is also known for having been a journalist and critic. Along with Villy Sørensen, he was editor of the publication Vindrosen, and from 1984 to 1991 he was the literary director of Gyldendal. Among other honors, he was awarded the Swedish Academy Nordic Prize (1999), known as the 'little Nobel'[citation needed]; The Nordic Council's Literature Prize (1970), the Rungstedlund Award (2009) and the grand prize of the Danish Academy (1966). Rifbjerg has been seen as the first true modernist author in Danish, as he became increasingly more experimental though the 1960s, culminating with Anna (jeg) Anna. Many of his works from 1970 and some 25 years on are seen as being looser in scope and composition, often humorous or sarcastic, often leaving the protagonist chaotically alone with his or her existential and psychological hangups, subtly exemplifying modernism as the breakdown of the normality of the bourgeoisie. A principal theme is the portrayal of children and their difficulties establishing their own identity. Rifbjerg's works from the 2000s opened a new line of inspiration: historic events. On 4 April 2015 Rifbjerg died in Copenhagen after a long illness, aged 83.
Klaus Rifbjerg is a portrait that has the author talking about his work in a series of tableaux.

A moving portrait of one of the most loved and read Danish poets, Halfdan Rasmussen. The film covers both the early years with poverty and wartime on to success and the humorous nonsense verses that has made Rasmussen one of the most read authors in Denmark.
Jørgen Leth's personal, pleasurable distillation of Danish literature covers seven poets alive at the time of production and twenty classical poets. A handful of actors share readings of the classical texts in semi close ups against a dark background; the living poets read their own works.

The action takes place in a theater, where actor and theater director Poul Bech is shot by his co-star Eva Berthelsen in the middle of a premiere. The script says he should be shot, but not with real bullets! Everyone at the theater seems to have a reason to want him dead. However, another murder must be committed before the killer can be found.

Stunning photography of icy tundra does not make up for dramatic weaknesses in this average story about a brother searching for clues to the death of his sibling in a forbidding environment. Erik (Thomas Eje) is newly divorced and a depressed, despairing man who arrives in Greenland after his brother died in a hang-gliding accident. He eventually moves in with an Inuit woman Soerine (Naja Rosing Olsen) and her son Nikki, whom Erik suspects is his dead brother's child. His search and suspicions are punctuated by other subsidiary, mini-dramas, and long, sweeping vistas of the ice-bound landscape.

For Janus his friend Tore is his big ideal: pretty, intelligent and self-confident. Janus is grateful for his friendship even though he is considered the court jester. When Tore falls in love with the beautiful and sweet girl Helle, Janus accepts his role as their highly loved third party. Helle's fashionable mother, however, is a bit too interested in Tore. Written by Allan Simonsen

On a day in April 1996, four stories play out in the confines of a flat in the heart of Oslo.

Based upon the novel "Hærværk" by Tom Kristensen about the self destructive person. The literary reviewer Ole Jastrau chooses to free himself from his well-ordered middle class life. He allow the seriously left-wing writer Steffensen move in with himself which soon causes disintegration of his home an marriage.

The film is a window into the world of fifteen-year-old Tim, sharing his joys and sorrows and his first encounter with love, during the German occupation of Denmark in World War II.

Renowned journalist Torgny Segerstedt declares war against Hitler as he criticizes Swedish politicians who tried to look away from the tyranny of the Nazis with the good excuse of “neutralism”. His only weapon is his pen and his life is full of gossip such as an affair with his boss’ wife, a love scandal with a secretary younger than his daughter, and the suicide of his wife. However, he continues to fight a one man battle against Hitler and the Nazi regime until his death, throwing the question “Can one person really change history?” to the audience.

One Saturday evening, Trine prepares dinner for her boyfriend Hans. Unfortunately, Hans is delayed, as on his way between Frihavnen and Valby, he encounters a series of individuals whom he feels compelled to wait for in various ways. Back at the club apartment, Trine decides to transform the romantic dinner into a kitchen party for her friends.

The mysterious, impoverished Count Virtus (Federspiel) realizes his dream of a life at sea, and his young servant Kent (Springborg) must endure much pain before he finds happiness.


A group of better-off thirty-somethings meet for a weekend in Knud and Beth's home. The host couple is prone to bickering regularly. The married couples (Jan and Ilse, and Kjeld and Tove) that are visiting understand and try to stay out of the way. Bachelor Lars, however, comes into his own and is a constant source of provocative comments.
