On a Tokyo dump’s shantytown edge, interwoven vignettes follow residents scraping by: a boy who “drives” an imaginary trolley, a homeless father and son designing a dream house, a young woman brutalized at home, drunks, schemers, and saints of small kindnesses. Kurosawa crafts a ragged mosaic of hardship, fantasy, and flickers of grace that keep people moving forward.

Keita, after his death, was taken to the court of heaven as Defendant No. 1361, where his past was projected. He was formerly a favorite of the Meriken Circus troupe, yet he sinned by exposing a certain woman. During the screening, he realizes what he has done, and fate gives him a chance to redeem his sins.

At the transformed Fumaden (Demon Subduing) Temple, with the dynamic efforts of Sukesan and Kakusan, and the appearance of the heroic woman Oshin, Lord Kōmon's ingenious strategy swiftly overcomes the wicked bandits in this exhilarating and unrivaled episode.

The deputy shogun of the realm, accompanied by his loyal and capable aides, makes a stop at Jigokudani, a place along his journey through various provinces. Here, a lively and entertaining tale unfolds, filled with swordplay where heroes and villains clash, intertwined with heartwarming humor.

Kawai Midori's father left the family a long time ago and since her mother passed away, she has taken care of her younger siblings by herself by working with a group of itinerant camellia oil peddlers. While she is In Izu selling camellia oil, she meets a young student, Katō Yutaka, who asks her to let him take her picture. The peddlers also meet a jazz band, and when Midori sings a song, teased by the band's star singer Nanjō Haruo, the band members are enraptured by her beautiful voice. She eventually joins the band and quickly becomes a popular jazz singer.

Based on the story of Shimizu no Jirocho.

Japanese musical.

Japanese drama film.