
Acting
A veteran Indian actor and writer, Kishor Kadam is noted for his works in Marathi and Hindi cinema. The multiple award-winning actor made his debut on the silver screen with the Hindi feature film Antarnaad in 19991, which was directed by the acclaimed filmmaker Shyam Benegal. Continuing his collaboration with Shyam Benegal, he subsequently worked in other parallel films like Mammo (1994) before eventually rising to fame with a stellar performance in Samar (1999), an Urdu feature film. The film won the National Film Award for Best Film in 1999 and Kishor for his outstanding performance in the lead won wide critical appreciation. Following the huge success of Samar, Kishor starred in films like Dil Pe Mat Le Yaar (2000), Black Friday (2004) and Ek Chalis Ki Last Local (2007), all of which fared well at the box office. Post-2007, Kishor Kadam worked mostly in Marathi films. Some of his popular film credits include Natrang (2010), Balak Palak (2013), Fandry (2014), Theeran Adhigaaram Ondru (2017), which marked his debut in Tamil cinema and Wagherya (2018), a Marathi comedy satire directed by Sameer Asha Patil. His 2019 releases include Chhatrapati Shasan and Adham.

Bombs tear through Bombay in 1993, wreaking havoc and polarising the citizens. With perpetrators at large, the state launches a massive man-hunt to unmask the perpetrators behind these events.

Santya is an aggressive young chap, who is a matter of worry and fear for his family. When an Adivasi woman from Santya's neighborhood is raped and murdered by an upper caste man, Santya must make the journey towards becoming an Ambedkarite, in order to emancipate himself and help his community get justice and prosper.

A realtor fires one of his co-workers and out of spite, the co-worker and his wife does black magic on his daughter. Being an atheist, he shuns his mother and wife's theories on the supernatural and relies on a doctor for his daughter's treatment.

Keshya, a simple villager believes that god has arrived in his village but everyone disbelieves him. Later when the politics plays its part things take a drastic change

Stuck with getting affidavits stamped and signed, alcoholic Advocate Mohan Agashe accepts a case of medical malpractice against two gynecologists affiliated with Sanjivani Hospital whose alleged negligence put a young widow and mother of one child, Aarti Mehta, in a state of acute coma. The hospital is willing to make a settlement, but Mohan refuses and decides to try his luck in court. He soon finds out about the greed of patients' relatives, which forces him to accommodate Aarti's married sister Pooja and her son in his already-cramped flat; the lack of evidence and his very own credibility; a hostile judge among other challenges that threaten to not only drive him to despair but also turn his life upside-down.

A retired sports teacher transforms a bunch of teenage slum goons into disciplined football players against all odds.

Balgandharva, the eminent towering singer from the bygone golden era of Marathi "sangeet natak" (musical dramas) definitely deserved some modern celluloid space. This film does well to document his life, the younger generation who is unaware of his charisma will get to know him. The film chronicles his life , his acting career well. It gives a good overview of how the drama companies were run and how he influenced the running. His values and character stand out amidst all the tragedies in his life.

Aditya Sharma and Neha Kasliwal are in a relationship which finds itself challenged one night when they’re out on a date and get harassed in the dead of the night by two men posing as policemen. Will the night change the course of their relationship?
In a picturesque village in Maharashtra lives Raghunath aka Raghya (Vivek Chabukswar), studying in seventh standard. His father (Girish Kulkarni) works with Mumbai police as a constable; he visits his family in between. Shankar aka Sada (Abhishek Bharate) is Raghya’s classmate and close friend. His father is an officer with the Indian Army. Sada believes his father’s profession is more prestigious than Raghya’s father while Raghya feels vice-versa. Once, their school teacher (Kishore Kadam) hands over a voluntary task of collecting funds for a noble cause to the students. This exercise becomes the turning point in the friendship of Raghya and Sada.

BP is about four teenage friends (Avya, Bhagya, Chiu and Dolly), who over hear that, a friend, a resident of their colony, Jyoti tai, has left their colony, as she has brought disgrace to her family. Having received unsatisfactory explanations from their parents for Jyoti tai's exit. It becomes imperative to find out what exactly was her disgraceful act. Kids decide to take up this challenge. In this journey to discover, they end-up bonding little too much with their over mature school-mate 'Vishu', the guiding star for the foursome. He enlightens them by throwing his divine light upon blue films. He feels, one has to read, watch, and if need be, perform to understand the true meaning of life (read SEX).

