Coming back home after thirteen years, a 16 year old is forced to remember what little she knows of home when her mother decides to run away. In a grueling road trip with her estranged grandmother, in a place that she has long forgotten, she soon realizes that she isn't the only one looking for a mother.

This film is about two women, a mother and a daughter, with two different personalities and how being stuck at home further strains their relationship.

A timid teenage boy falls into a hollow void with people who constantly ridicule him. He tries to escape confrontation but seems to be stuck in his chair.

A war-torn grandmother, Lola Mame conceals her past from her tenacious and curious grandson Sen. He is persistent in uncovering his grandmother's past. He is motivated not only by academic recquirement but also his longing to puzzle a part of his identity. However, for Lola Mame, there is no secret kept forever. The past is a continuing present.

RAMPAGE! (or the parade)

Mga Tala sa Kagandahan (Notes on Beauty) follows a filmmaking and theatre workshop for genderqueer kids (in swardspeak, baby bakla) in a Sitio in the City Antipolo, Rizal - a known pilgrimage site east of Manila. Its assertion: the right to our own representation, in front of and behind the camera. The footage, majorly shot by the kids, are a mixture of moments of learning and play times, that hopes to show the kids' view of the world in their first takes.

Competitive swimmer Bulet finds herself drowning on the day of a small town wedding.

Aya, living in the slums of Manila, dreams of becoming a billiards World Champion, but after her father is killed, she’s manipulated by Itoy into playing underground gambling matches in back-alley pool halls.