An isolated lake, where an old monk lives in a small floating temple. The monk has a young boy living with him, learning to become a monk. We watch as seasons and years pass by.

Documentary on director Kim Ki-Duk looking back at his film career.

This is a story about an amazing person who devotes his life to his students. Vladimir Fenchenko lit the hearts of hundreds of young filmmakers with love for cinema.

A woman goes to France in search for a man who she lost contact with, only to find that he has moved on to Venice. On her way to Venice, she faces a horrible incident in the train which makes her painfully question herself about life and relationships. And when she makes a frightening conclusion, the question becomes the share of the audiences.

A condemned prisoner slowly falls in love with the married female artist who decorates his prison cell. Jin is a convicted killer awaiting execution on Death Row; Yeon is a lonely artist locked in a loveless marriage.

At the age of 74, many people retire themselves or go and spend the rest of their life in elderly’s house. But Kim Dong-Ho has made the decision to live like a young and energetic man until the end of his life. He gets up early around 4 am every morning. He does his exercise for an hour. Then he checks the news and respond to his emails. After that, he takes the bus to his work. He is currently working in a university of film and media, which he has launched himself two years ago. KIM is the same man whom established the largest Asian Film Festival when he was almost 60 years old. Now that he is 74 years old, he has just decided to make his first film as a director.

South Korean cinema is in the throes of a creative explosion where mavericks are encouraged and masters are venerated. But from where has this phenomenon emerged? What is the culture that has yielded this range of filmmakers? With The Nine Lives of Korean Cinema, French critic, writer and documentarian Hubert Niogret provides a broad overview but, nevertheless, an excellent entry point into this unique type of national cinema that still remains a mystery for many people. The product of a troubled social and political history, Korean cinema sports an identity that is unique in much modern film. Niogret's documentary tells of the country's cinematic history - the ups along with the downs - and gives further voice to the artists striving to express their concerns, fears and aspirations.

Filmmaker Hermann Vaske explores the creative Balkan world in the hopes of understanding the meaning of "Balkan spirit".

Actor Choi Jong-won is late to a movie shoot. He bemoans the state of the national economy when he sees a young man riding a fancy sports car.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.