At once potently restrained and explosively oddball, Mira’s Daughter is an examination of narcissism, co-dependency and the exacting demands of fame from 2021 Flickerfest Outstanding Emerging Female Director Alisha Hnatjuk.

In the aftermath of Australia's marriage equality marches, a young queer woman has her date interrupted by a homeless man after accidentally dropping a dollar into his coffee cup. This sets off a chain of events that sees her dragging him around the city in a bid to buy him a new one and eventually forcing the two to bond for the briefest of moments. What ensues over that evening changes both of them forever.

Vic finds a room to rent in a metal band’s decrepit Brunswick share house. Her relief at finding shelter during a housing crisis, however, crumbles away faster than the lead paint peeling off the walls. The house, which doesn’t seem to show up on maps, features a shower that either burns or freezes, a ceiling with holes that have holes of their own, strange plant life that spills forth from every crack in the walls – and Terry, a housemate who seems aggressively unbothered by any of it. All of this would be fine with Vic if it weren’t for two problems: her sleep deprivation from being woken by a horrible, foundation-shaking screaming noise from behind a mysterious locked door; and her unshakeable impression that something inside the house is getting very hungry.

When the mother of a 5-year-old girl doesn't come home from work, her babysitter suspects the father of foul play, and decides to take matters into her own hands.