Norway has long had some of the strictest drug laws in Europe – with an emphasis on punishing, rather than helping, addicts. In recent years, the little country has also been on top of the European death by overdose statistics. In this humane and insightful documentary we follow three drug-user activists who are fighting to change the way we think about how we treat men and women with an addiction.

Norway has long had some of the strictest drug laws in Europe – with an emphasis on punishing, rather than helping, addicts. In recent years, the little country has also been on top of the European death by overdose statistics. In this humane and insightful documentary we follow three drug-user activists who are fighting to change the way we think about how we treat men and women with an addiction.

Norway has long had some of the strictest drug laws in Europe – with an emphasis on punishing, rather than helping, addicts. In recent years, the little country has also been on top of the European death by overdose statistics. In this humane and insightful documentary we follow three drug-user activists who are fighting to change the way we think about how we treat men and women with an addiction.

Norway has long had some of the strictest drug laws in Europe – with an emphasis on punishing, rather than helping, addicts. In recent years, the little country has also been on top of the European death by overdose statistics. In this humane and insightful documentary we follow three drug-user activists who are fighting to change the way we think about how we treat men and women with an addiction.

Four friends set out on a hike up a mountain in Norway. As they walk in spectacular nature the sins of the past come back to haunt them and the reason for the hike might not be what we think.

Runar Gudnason, best known from the rap group Side Brok, travels back in time to find out why he became a rapper.

How do we talk to each other online? Based on authentic chats from an internet forum.

The starting point for the short story is a piece of music composed by K.A. Knutsen (Syntax TerrOrkester) and a concept developed by producer Simeon Frohm. Four directors have each been given a visual image of an audio file, as well as a title and length limitation as a starting point to create each chapter of the film. None of the directors have heard the sound, this has been mixed and completed based on raw versions of the film chapters. Common to the chapters is that they deal with the term "Garden" and its associated chapter title. The landscape of Utsira, where the film was filmed, lays the foundation for aesthetics.

The starting point for the short story is a piece of music composed by K.A. Knutsen (Syntax TerrOrkester) and a concept developed by producer Simeon Frohm. Four directors have each been given a visual image of an audio file, as well as a title and length limitation as a starting point to create each chapter of the film. None of the directors have heard the sound, this has been mixed and completed based on raw versions of the film chapters. Common to the chapters is that they deal with the term "Garden" and its associated chapter title. The landscape of Utsira, where the film was filmed, lays the foundation for aesthetics.

After living in exile for 20 years, Aye Chan Naing can finally return to Myanmar's homeland. As chief editor of the radio and television station The Democratic Voice of Burma (DVB), Naing, together with reporter Than Win Htut and their colleagues, fought for democracy and freedom of speech from an office in Oslo. The journalists go home to test the newborn democracy in their home country, and with them in their luggage they have a dream of freedom of the press and the opportunity to continue their work in the country they hold so dearly.