The story of a summer dress and those who have to do with it, especially the train conductor (played by van Warmerdam, the director). The dress functions as catalyst for the whimsical events, which turns out to be either tragic or hilarious.

The Iranian refugee Amir finds two golden retrievers while jogging on the beach. They have slipped their leash in the hands of Marijke, a middle-aged woman who takes out her daughter Emma's dogs every day and does her housekeeping. Marijke is not capable of keeping her selfish daughter in line and has no authority over the dogs. Amir wants to help her. When Emma hears she has subcontracted the dogs to a refugee, mother and daughter come into conflict. Emma looks for a replacement, but is eventually forced to ask Amir. When they meet, they get on at once, until his residence permit runs out.

Onno (30) applies for a dream job as curator in Amsterdam's Rijksmuseum. He makes it through to the last round with the arrogant yuppie Alex. The younger and self-assured Alex seems to have a better chance of getting the job and Onno will not tolerate that. A few days before the last interview, he kidnaps his opponent and locks him up in a remote cottage that his girlfriend has just inherited near a railway line. As soon as he gets the job, he releases his victim. Three years later - Onno now lives together and has a son - he is a successful curator at the Rijksmuseum and needs an assistant. While interviewing applicants, he is confronted with Alex, now blind in one eye.

October 1997. Paul Winters (35) is deputy public prosecutor in Arnhem and is working on his first major case: an investigation in to the allegations of a Bosnian girl that she was raped by three soldiers in the Dutch UN contingent and whose brother is alleged to have been killed by them. Winters suspects that the girl is telling the truth, but he can't prove it and the case is adjourned. Then one of the men gives a revealing statement that throws a different light on the case. Winters argues in favour of reopening the case, but faces opposition from an unexpected quarter.

An unlikely friendship blossoms between Elsa, a preppy, idle, spoiled blond who calls herself Gino, and Nina, a wannabe anarchist who plots with three others to blow up an arms factory. Nina is often sour and tempestuous, but with Gino she's spontaneous and funny. Yet the friendship often founders, as the feckless Gino spoils Nina's frequent and demanding plans. They decide to rob Gino's rich uncle to pay for bombs and creature comforts, they sneak into a stranger's house, they steal a painting belonging to one of Gino's boyfriends, bombs fail to explode, and Gino costs Nina the trust of her anarchist pals. Then comes the crocodile test, the ultimate for any friendship.

A frustrated artist from the city is seeking solace with a recently widowed farmer. To get closer to the farmer, she does her utmost to approximate his departed wife. But her fertile imagination leads her to go too far.