Asheng, once a gang member of the Zhongshan District, was sent to jail for 12 years after saving his friend Shaou. He is released and returns to Linsen North Road, his old turf, finding it familiar yet perplexing after being away for so many years. Shaou is now a mob boss with his own turf. When the son of Seagull’s patron, Mr. Xiao, is murdered, the evidence points to up-and-coming mobster Monkey. Shauo tries to ambush Monkey and fails, getting shot by the drugged up gangster instead. Asheng, who initially refused to help Shaou, is now filled with rage and decides to avenge his friend.

Set in the decadent 1920s, Temptress Moon tells the very complicated story of a wealthy family living on the outskirts of Shanghai. Their youngest daughter, Ruyi, is brought up as a servant to her opium-addicted father and brother. Meanwhile, her brother-in-law Zhongliang has a successful, if illegal, career seducing and blackmailing married women in the city. When he comes to Ruyi's home the two fall in love, and trouble ensues.

Carol 'Do Do' Cheng portrays the tough, eventful life of "Mama Boss" from childhood in pre-1949 Guilin to disillusionment in 1970s Taipei, where she struggles to run a noodle shop and contend with a host of colourful customers.

Raised in occupied Manchuria during World War II, young Shuzi is left behind when her father's regiment suddenly retreats. When she is captured on the Great Wall, she is protected by a Chinese officer whom she marries and accompanies to his village in Yunnan. Shortly after they arrive, he dies and leaves her with his compassionate mother and younger brother, who claims to be her husband now.

The film uses Chinese actors to play the Japanese protagonist, uses Chinese perspectives to criticize Yamato’s militarism, and is filmed by a Taiwanese director born after the war. The story of the Japanese imperial army during World War II is a prominent feature in the history of Chinese cinema. Try. Although the creative ambition of the director Zhou Teng affected the overall performance of the film because of his wishful thinking on the theme and handling, his efforts in exploring new themes and the rigorous production attitude are still worthy of recognition.