
Acting
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The life of a young, Japanese schoolgirl is destroyed when her family is killed by a Ninja-Yakuza family. Her hand cut off, she replaces it with various machines-of-death, and seeks revenge.

In a futuristic Tokyo where police have been privatized and bitter self-mutilation is so casual that advertising is often specially geared to the 'cutter' demographic, Ruka is on a mission to avenge her father's assassination. Ruka is a cop from a squad whose goal is to destroy homicidal mutant humans known as 'engineers', that possess the ability to transform any injury to a weapon in and of itself.

Wracked with guilt over her younger sister's suicide, pretty young karate student Megumi accompanies a group of older friends on a camping trip into the woods, where they're attacked by feces covered undead.

A disgruntled researcher injects his former employers' meal with a serum that turns their sushi into flesh-eating monsters.
A shy young secretary is intrigued by her new neighbor.

Tang Ren and Qin Feng travel to Japan to investigate the death of a mafia head. As they suspect foul play, they engage in a battle of wits against foreign detectives.

Yuichiro wants to be an film director but his widowed mother wants him to become a doctor. As radiation leaks permeate the city, he tries to clear his debts by signing up for a dangerous medical experiment...

High school students Isaki and Hiramasa can't stand being bored. One day, while walking across town, they bump shoulders with two other people. An argument ensues and, as usual, Hiramasa is ready to fight. Hiramasa is supremely confident when it comes to fighting. An unusual thing happens though, Hiramasa gets knocked out ...

Little Chie knows that her sister, 3 year-old Itsuki, is unlike her. Chie’s uncle, Mitsuo, is also unusual. Suntanned and adorned in a rustic-looking floppy hat he couldn’t look less like Chie’s neat and respectable father. But Chie is overjoyed when Mitsuo walks back into their lives, having spent three years in a mental institution, and Mitsuo, overwhelmed with emotion, dotes on his two little nieces. This brief harmony is short lived. Frustrated by her little sister, Chie drops her, causing fatal injuries. Unable to allow his niece to take the blame, Mitsuo claims responsibility, shouldering all the condemnation that ensues.

In 2008, an indiscriminate killing which shocked the whole world was carried out in the street of Akihabara. Director Yûsaku Matsumoto was inspired by the Akihabira killing to look at random acts of violence occurring in Japanese society and exploring the aftermath of one such occurrence, and the building-up to another one. By following several people—perpetrators, victims and family of both alike, he tells a human story about inhumane acts.

Shota takes in his brother Yusaku after rehab and interviews him for a screenplay based on Yusaku’s life. Yusaku, unable to adjust to his new life, gradually begins to suffer from drug withdrawal....

Phuong, An, and Nhu are Vietnamese women in their early 20s. The three become illegal residents in Japan after escaping from their workplace as technical trainees. An contacts a broker to help them find work. The broker takes them to a fisherman's ice-covered hut where they can stay in exchange for labour. They are happy because, as well as finding a job, they have also doubled their salary. As they start their work, Phuong suddenly falls, stricken with severe pain. Worried, An and Nhu take Phuong to a hospital, but they are refused admission for not having an ID card.

Little Chie knows that her sister, 3 year-old Itsuki, is unlike her. Chie’s uncle, Mitsuo, is also unusual. Suntanned and adorned in a rustic-looking floppy hat he couldn’t look less like Chie’s neat and respectable father. But Chie is overjoyed when Mitsuo walks back into their lives, having spent three years in a mental institution, and Mitsuo, overwhelmed with emotion, dotes on his two little nieces. This brief harmony is short lived. Frustrated by her little sister, Chie drops her, causing fatal injuries. Unable to allow his niece to take the blame, Mitsuo claims responsibility, shouldering all the condemnation that ensues.

Burmese boy Kaung and his family emigrated to Japan with the hope for a better life. They have lived in Tokyo for years, but never obtained a visum. The daily strain of their illegal residence eventually starts to tear the family apart.

In 2008, an indiscriminate killing which shocked the whole world was carried out in the street of Akihabara. Director Yûsaku Matsumoto was inspired by the Akihabira killing to look at random acts of violence occurring in Japanese society and exploring the aftermath of one such occurrence, and the building-up to another one. By following several people—perpetrators, victims and family of both alike, he tells a human story about inhumane acts.

When Shoichi learns that a former coworker is behind a publisized murder, he takes it to social media to reveal that he knows the murderer. But when he agrees to be interviewed by the media, his life is about to change.

Kazuo Hara follows Ayumi Yasutomi, a transgender candidate, who is also a Tokyo University professor, as she embarks on a national campaign for a seat in Japan's Upper House.

Junior high schoolers Sudo Ai and Sosuke Ito live together as a patchwork family in a small town in Hokkaido, all thanks to Ai’s mother, Yumi, creating an environment of love. Bullying and the harsh environment cannot pierce that safety until Yumi dies. Cast adrift, the kids are separated, Ai is taken to Tokyo by her father, and Sosuke is left behind.
