The story of Fudoh II concerns a group of delinquent high school girls who decide they will take over organized crime in Tokyo's Shinjuku district. Their method is simple: murdering as many mobsters as possible.

In order to settle a business dispute, a mob leader murders one of his own teenage sons. The surviving son vows to avenge his brother's death, and organizes his own gang of teenage killers to destroy his father's organization.

An elite superhuman agent must stop a foreign military unit from seizing control of an ancient artifact that holds the key to ultimate power.

Computer engineer Takashi notices that a microchip is protruding from his head. He contacts a notorious hacker for help. Meanwhile, Takashi's world is turning upside down. He's robbed at knifepoint & then chased through the crowded Tokyo streets by a giant. Or maybe not. Perhaps the microchip is only making him think these things are happening. Soon he realizes there's a connection between all the bizarre traumas and a girl named Masami. Seemingly, all his troubles started when she visited his repair shop and asked him to fix her CD-ROM unit. Eventually Takashi finds himself psychically linked to the girl. As it turns out, they are secret government-made humanoids, programmed to live undetected within society an then - when the need should arise - they are activated as professional fighters; The action of the movie itself plays like the Defender arcade game.

A gang of evil ninjas has stolen the sacred sword of the Lady Mayu and are demanding that her family exchange her for the family treasure. The world's greatest swordsman, Shuranosuke Sakaki, is called in to get the sword back.

Kenichi is a half-Japanese, half-Chinese man of the underworld. You can sell him anything except children's organs. His domain is in Kabukicho, a gangland controlled by various Shanghai gangs intent on taking control. His former partner-in-crime, Fu-Chun, is rumored to have returned to Kabukicho, having fled years earlier after killing the number two of gangland boss, Yuan. Yuan wants to get even and attempts to do so by using Kenichi.

Based on the comic by Makoto Kobayashi.

Takashi Miike is a cinema monster. Let's return to his filmography, his main themes, the framework of his monumental universe.