Disinfo.Con contains an amazing 4 hours of footage from The Disinformation Company's massive counterculture event in New York City's Hammerstein Ballroom. New York hadn't seen anything like this since the Nova Convention in 1978 which saw Frank Zappa, Patti Smith and others anoint William Burroughs as king of the counterculture. A quarter century later Disinformation's keynote speakers Richard Metzger and Douglas Rushkoff ushered in a dizzying, day-long array of performances ranging from sword-swallowing to sanskrit chanting, interspersed with lectures and conversations with counterculture luminaries like Mondo 2000 founder R.U. Sirius, industrial music progenitor Genesis P-Orridge, Grant Morrison, Robert Anton Wilson, theorists, performance artists and others from the extremes of popular culture. Nothing beats actually experiencing an event like this in the flesh, but this DVD comes pretty close to capturing the spirit of the counterculture as we lurch into the 21st century.

I give a methodical account of my film work: the creation of new series (Lire, Trio, Avec Mariola), the shooting of a new feature film (Amours décolorées which will take ten years to edit) with Mariola San Martin.

Kembra Pfahler and The Voluptuous Horror of Karen Black perform live at CBGB's on Friday the 13th. Introduction by Hollywood Goddess Karen Black.

In Tromaville, three women warriors find themselves on the run and kicking in the teeth of every misogynist that dares to cross their path.

You’ve never seen actiopn like this is any arean you’ve ever been in! Watch these bitches get down and dirty! No holds barred! Their tight assed bodies clash and somersault through the air, their sweaty skin exposed for all to see!

Complete strangers meet in a room to act out their sexual desires.

A series of close-ups of real urban 'types' in which the camera is returned to its Edison-era status as a simple recording device.

Paul Mills is a miserable, lonely man leading a meaningless existence in a nameless city and has visions of the Spirit of Death waiting to collect him while having encounters with various people while seeking solace for his short life knowing it will end soon. Shadows in the City was the last major work of New York’s 1980s No Wave film scene. Shot over seven years in Manhattan, Brooklyn, and Queens, painter-performer Ari Roussimoff’s only fiction feature captures the urban desolation of the city in the decade before gentrification.

After a vengeful sorceress is tortured and killed by a corrupt industrialist looking to harness the spectral powers of Red Spirit Lake, her niece arrives in snow covered Angel Falls to settle her aunt's estate.

Kembra Pfahler invites director Richard Kern to document her latest piece of provocative performance art.