When one of Mike McBride's men goes rogue and takes a group of gymnasts hostage to Devil's Island in exchange for the return of drug lord Carlos Gallindo, the SEALS face their most perilous assignment yet.

A six-year-old boy in pre-hippie 1960s United States endures ridicule from his schoolmates and worry from his father over his fixation with a TV star named Dottie.

Léon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda. Before long, Mathilda's thoughts turn to revenge, and she considers following in Léon's footsteps.

An avant garde prison power struggle as witnessed through the point of view of the inmates’ only television set with the biggest troublemaker and sweetest seducer on the cellblock. The Knicks have just taken the Bulls to overtime, but it’s time for Star Trek. The film took two days to shoot, one week to edit, and one year to create the special effects. With it being Shot on 16mm film and transferred to video and then edited on a computer - the first student film at Columbia to be edited digitally.

Once every so often, perhaps not often enough, we hear a story that captures our imagination, transports us to another place and time, and causes each of us to stop for a brief moment to reflect on ourselves, and the world we live in. 'The Pirates of Central Park,' a contemporary adaptation of the early Twentieth Century short story, 'The Pirate of the Round Pond' by Lord Dunsany, is such a story. Told through the eyes of three New York City kids whose thirst for power and adventure lead them to pursue a career as modern day pirates in the City's famous Central Park, the story poignantly contemplates the age old lesson of right versus wrong, and teach us all, young and old, that there is a high price to pay for seeking personal triumph in the malicious sinking of other people's hopes, dreams - and ships!