My brother took my brother. A woman, always frustrated, forces him to pick pockets and rob people just for the thrill of it. A man who resists but continues to be an accomplice with infinite tolerance. Is it the man or the woman who is desperate to keep his partner in line? It is the woman's brother who comes between the frustration and tolerance that seems to swell endlessly. But as he makes her apologise at the graveside of her parents, he also commits the sin of lying in order to keep his love alive. There is very little expository dialogue. There is very little exposition in the film, but it is enough to convey the feelings and circumstances of each character. The structure, the script and the acting are the foundations of a film that succeeds in depicting the birth of a new love triangle in a cool and realistic way.

My brother took my brother. A woman, always frustrated, forces him to pick pockets and rob people just for the thrill of it. A man who resists but continues to be an accomplice with infinite tolerance. Is it the man or the woman who is desperate to keep his partner in line? It is the woman's brother who comes between the frustration and tolerance that seems to swell endlessly. But as he makes her apologise at the graveside of her parents, he also commits the sin of lying in order to keep his love alive. There is very little expository dialogue. There is very little exposition in the film, but it is enough to convey the feelings and circumstances of each character. The structure, the script and the acting are the foundations of a film that succeeds in depicting the birth of a new love triangle in a cool and realistic way.

My brother took my brother. A woman, always frustrated, forces him to pick pockets and rob people just for the thrill of it. A man who resists but continues to be an accomplice with infinite tolerance. Is it the man or the woman who is desperate to keep his partner in line? It is the woman's brother who comes between the frustration and tolerance that seems to swell endlessly. But as he makes her apologise at the graveside of her parents, he also commits the sin of lying in order to keep his love alive. There is very little expository dialogue. There is very little exposition in the film, but it is enough to convey the feelings and circumstances of each character. The structure, the script and the acting are the foundations of a film that succeeds in depicting the birth of a new love triangle in a cool and realistic way.

In Tokyo, prostitution in the name of "Enjo Kosai" is in fashion among some high school girls. A mysterious man Kuni lament such girls but cannot deny a strong desire for them. He punish the girls by having sex with them without paying them. He calls this operation "Stop the Bitch Campaign" for public justice. Working in a sex trade shop where abnormal people are satisfied with their lust. Aoi tries to find out the man who raped her desperately in the past. One day, Aoi meets Kuni.

Nobuhiro is convinced that, in order to honor his mother's death by suicide, he needs to find the reincarnation of his mother and die with her, together, under the spell of love. A young model tries to discover the truth behind one of his paintings which depicts the horrific death of a woman and her lover.

This is an omnibus of six short films by six different directors, whose lead characters are unconventional women. They are "Hijoshi," females who live true to themselves and their desires.

This is an omnibus of six short films by six different directors, whose lead characters are unconventional women. They are "Hijoshi," females who live true to themselves and their desires.

Unholy Women (Kowai onna), is a composite of three unrelated half-hour horror movies. A compilation of 3 separate short horror films (Rattle Rattle, Hagane, The Inheritance) written and directed by Keita Amemiya, Takuji Suzuki, and Keisuke Toyoshima respectively. The first segment, “Rattle Rattle”, tells the story of a young woman who is pursued by an evil other-worldly being. The second movie, “Steel”, concerns a young man who agrees to take the sister of his boss out on a blind date, drawing him into a world more frightening than he ever dreamed possible. The third and final episode, “The Inheritance”, is a supernatural tale of a woman and her young son, scarred by abuse and psychological trauma.

8 short stories comprise this anthology movie, based on the Tales of Terror TV series. The segments are, in order: The Night Watchman (directed by Akio Yoshida), Wisps of Smoke (Kosuke Suzuki), Gloves (Hirohisa Sasaki), The Weight (Kosuke Suzuki), Full-Length Mirror (Ryuta Miyake), Line of Sight (Keisuke Toyoshima), The Promise (Keita Amemiya) and Hisao (Shun'ichi Hirano).

Based on renowned Japanese writer Natsume Soseki's same-titled short story collection, Ten Nights of Dreams brings ten fantastical dream sequences to film with great visual and psychological panache. Representing the combined efforts of eleven directors, this outstanding anthology delves into the surreal subconscious with ten madly imaginative, reality-subverting visions that range from wonderfully wacky to nightmarishly unsettling.