Tarao’s services are called upon to solve the mysterious death of bride-to-be, Mariko, who was found dead with an eerie mask of a devil.

After his twin dies as a baby, the protagonist's family has little hope for his survival. But as he grows older, he discovers baseball, and much to his father's chagrin, he begins playing. He will go on to be a star baseball player.

Koji, who had a lonely childhood as an orphan, is picked up by yakuza gang leader Fujimura and leads a violent life without opening his heart to anyone. Koji, fed up with a life that leaves him with nothing but emptiness, decides to break away from the gang with his friends. Fujimura gives them one last job.

This film stays very faithful to the original down to the smallest details, save for the kangaroo-rat that suddenly appears twenty minutes into the movie and subsequently follows Aladdin around, serving no purpose in the story but fulfilling the role of token animal mascot. The story takes some illogical and confusing jumps at the point where Aladdin begins to court the princess, and the extravagant animation that had characterised Toei films of the 60s, when Toei had the best animators around, had become a thing of the past long before this point; but this is still an above-average film, in large part because of the screenplay that stays so faithful to the original. The character designs are slightly more western-looking than one is accustomed to seeing in anime.

Kayo (Kimie Shingyoji), who married Jingoro (Jun Eto) of the small-time goods dealer Kagamishimaya, is unable to even hug each other seven days after the wedding. Kayo (Kimie Shingyoji), who married Jingoro (Jun Eto), a merchant in a small house in Kagamiya, is unable to even hug Kayo even seven days after the wedding ceremony. One day, Jingoro suddenly dies, but a monk (Ichiro Arishima) appears to the grieving family and tells them that his soul has simply slipped away, and the next morning Jingoro wakes up as if nothing had happened. A few days later, Kayo follows the spirit that escaped from Jingoro again and arrives at the grave of Araji, where she sees Jingoro meeting with the spirit of a young girl. In fact, three years earlier, Jingoro had been torn apart by the daughter (Keiko Suzuka) of Miuraya, a kimono wholesaler, and they had tied each other's fingers together with string, slit their wrists, and thrown themselves off a boat.