To promote the movie Kamen Rider × Super Sentai × Space Sheriff: Super Hero Taisen Z, Toei released a series of Internet clips under the collective title Kamen Rider × Super Sentai × Space Sheriff: Super Hero Taisen Otsu!: Heroo! Answers. The net movies also featured characters from Tsuburaya Productions and Marvel Comics. Toei Tokusatsu BB and TV Asahi began distribution on April 12, 2013.

Serving as the true ending to Kamen Rider Decade and revealing the origins of Kamen Rider W, this movie is split into three parts. In "Kamen Rider Decade: Final Chapter", Tsukasa Kadoya fully embraces his title as the Destroyer of Worlds. In "Kamen Rider W: Begins Night", Shotaro and Philip recount the night on when it all began. Elements of both parts converge in the movie's final part, "Movie War 2010" as our heroes fight the forces of Super Shocker.

Confronting a mysterious enemy, the Pteranodon Yummy, Kamen Rider W receives aid from Ryu, who has infuriated Akiko by being too busy to attend her wedding! Akiko demands to know why he even became a Kamen Rider in the first place and the Pteranodon Yummy as it uses the Memory Memory on her to give her the answer to her question. Meanwhile, at the Kougami Foundation, Kousei Kougami talks of the most avaricious man in Japan, Oda Nobunaga, whose final resting place was found. With Doctor Maki overseeing the process, Kougami commissions the creation of a Cell Medal homunculus based on Nobunaga himself. Later, Kamen Rider Core begins to destroy the area as Kamen Riders OOO and W team up to fight the enemy. However, Kamen Rider Core proves too powerful and the two go underground to destroy the Gaia Memory’s source of power to even the odds.

Kamen Rider × Super Sentai × Space Sheriff Super Hero Taisen Z Released Memorial: Kamen Rider Wizard Special Event Z is a stage show based on the film Kamen Rider × Super Sentai × Space Sheriff: Super Hero Taisen Z.

The five characters are cut into various "twos" and the restrained direction accurately conveys their emotions and relationships. The tension in the long shots in particular could be described as "expertly delicate". The meal scenes, which appear repeatedly, play an excellent role in accentuating the question of the meaning of 'family'.

Suzanne is nearly fifty. She lives alone with Raphaëlle, her twenty year old daughter. Despairing that she will never again find love, Suzanne resolves to have plastic surgery done on her breasts. Raphaëlle is disturbed by her mother’s decision, while Suzanne worries about her daughter’s romantic life.