Sawako, working in a bank, tired of the usual everyday life, once she met the chef of French cuisine Yukio Goto and spent the night with him. Sawako pretends to be the daughter of an upscale hotel owner and has an affair with Yukio.

During the age of warring clans (Sengoku Jidai), many samurai lords sought to unite the country under their banners by becoming the supreme leader. One of the first to vie for power in this way was Saito Dosan, the 'Viper'. His son-in-law, Oda Nobunaga, did in fact unite the nation after subduing all of his enemies, yet falling at last to the treachery of one of his most trusted generals. This story is a pre-cursor to those later events as the brilliant military strategist Saito Dosan rises to power and notoriety as a great lord in his own right. Directed by Kudo Eiichi and with a tremendous supporting cast that includes Nakamura Toru as Oda Nobunaga and Chiba Shinichi as Akechi Mitsutsugu, battle scenes of awesome power and a unique view of Japanese history, this is a marvelous production highlighted by the action scenes done by the Japan Action Club (JAC).

An illustration of the tragic lives of geishas at a popular geisha house, Shinonomero. Shortly after being sold to a geisha house at age 5, Shizu is befriended by a fellow older geisha, Tsuru. After years of living and working together, Tsuru and Shizu manage to run the operations of Shinonomero as the proprietress and assistant. Despite vows to never to let their lovers come between them or Shinonomero, moments of weakness leave Tsuru and Shizu caught up in a web of betrayal and plunged into debt. With the guilt of losing Shinonomero to Udo, a yakuza who loaned them money, it is now up to young Shizu to redeem Tsuru’s honor and restore Shinonomero as their own.

High school student Mikiko travels back in time to the future using a time machine built by Monjiro, the physics club advisor. What awaited her there was the reality that her best friends, Yoko and Tatsuro, were already married and were on the verge of breaking up. Mikiko returns to the modern world with the help of future Monjiro to mend their relationship.

Master director Sadao Nakajima brings to life the adventures of Shohachi, a ronin (masterless samurai) searching for his father's enemy. O-Tama, the star of a light acrobatics hut in the back mountains of Asakusa, falls in love at first sight with a ronin named Shohachi who appears out of nowhere and, impressed by his skills, asks him to become the troupe's bodyguard. Shohachi, who is searching for his father's enemy Hyoto, follows the troupe on their provincial tour and finally finds him. But it seems that his enemy is quite skilled.

The seventh movie of the series “Yakuza Ladies” focuses on a wife of a small Osaka family. She risks her life to protect her husband’s family and its members against much larger, more established organizations.

Tokiko Enomoto finds out that her husband Kazuya, who mostly lives at an apartment near his work while she and their children live at home, has been having an affair with a live-in mistress, Ryōko, at his apartment. Tokiko tells her two sons, Tarō and Jirō, that she has decided to divorce their father. The children are shocked but understand their mother's position. Kazuya realizes the damage he has done and tries to remedy the situation.

Hitomi Kogure, has decided to drop out of high school. Deciding to tell her e-mail penpal "Ayumi-chan", her online friend reveals she is joining a cooking class. In order to meet her friend, Hitomi decides to join as well. What happens when she realizes "Ayumi-chan" is not who Hitomi had in mind?

Itto, a former detective serving time for murder, learns that his sister has been murdered by someone. He escapes from prison to take revenge on the culprit. Filming support: Chuo Alps Kanko, Toho Airways, Royal Hotel Kawaguchiko. Support: Ishii Sports, mt.dax, Universal Trading, Kyoei Transportation.

When a hard-driving copywriter (Hiroyuki Sanada) discovers his comely wife (Keiko Saito) is involved in a scintillating game of strip rock-paper-scissors with some guy clad only in a pair of boxer shorts and Mickey Mouse ears, he is less than happy. When the stranger tries to make a run for it, a fight ensues between the two men, and they accidentally tumble down several flights of a concrete stairwell. One hurried ambulance ride later, the copywriter finds himself in a private teaching hospital equipped with the latest gleaming gizmos. Meanwhile, a young internist (Hiroko Yakushimaru) girds herself for her first emergency room case -- the battered copywriter. After giving a curt bow and a nervous "Good Evening," she accidentally jams a syringe into his bloody wound. Soon the absurdity of their situation, along with their medical misery, binds the two men and their blundering nurse together.