
Acting
Keiji Sada was a Japanese actor. He won the award for Best Actor at the 7th Blue Ribbon Awards for Anata Kaimasu (I Will Buy You) and Taifū Sōdōki (Typhoon). He was the father of the actor Kiichi Nakai. Sada is primarily known for starring in Ozu films, especially in the 1950s and most famously Good Morning (1959). He also was a supporting actor in two films of Masaki Kobayashi's Human Condition trilogy. Sada was born in Kyoto in 1926. While a student, he roomed at a boarding house owned by the actor Shuji Sano, and on graduation was offered a position at Shochiku Studios. He was paired with Kinuyo Tanaka for his debut appearance, Keisuke Kinoshita's Phoenix. Sada was killed in a car crash in 1964. His wife and children were unharmed. He was 37.

A woman and her daughter are each forced to contend with an increasing pressure to marry, particularly from three men who knew her late husband.

After handing in a report on the treatment of Chinese colonial labor, Kaji is offered the post of labour chief at a large mining operation in Manchuria, which also grants him exemption from military service. He accepts and moves with his newlywed wife Michiko, but when he tries to put his ideas of more humane treatment into practice, he finds himself at odds with scheming officials, cruel foremen, and the military police.

"Youth After School" takes Tokyo and Kyoto as the stage, and tells the story of a family that develops around the daughter's marriage. The play was broadcast on NHK TV in 1963, but the program recording technology was not mature at that time, and relevant people called it "phantom TV drama (幻のドラマ)". However, this TV series that was originally thought to be lost has been rediscovered after 50 years.

Wataru's outwardly liberal views on marriage are severely tested when his daughter declares her love for a coworker and is adamant to live her own way, instead of agreeing to an arranged marriage. Outwitted by his female relatives, Hirayama stubbornly refuses to admit defeat.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

1962 Japanese movie

1962 Japanese movie. Remake of the 1939 movie


A painfully sad woman's heart cries from forbidden love. A love triangle drawn by three stars of Japanese cinema: Keiji Sada, Miyuki Kuwano and Keiko Awaji.

Widower Shuhei Hirayama's caretaker is his 24-year-old daughter, Michiko. Gradually, he comes to realize that Michiko should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.
