"Youth After School" takes Tokyo and Kyoto as the stage, and tells the story of a family that develops around the daughter's marriage. The play was broadcast on NHK TV in 1963, but the program recording technology was not mature at that time, and relevant people called it "phantom TV drama (幻のドラマ)". However, this TV series that was originally thought to be lost has been rediscovered after 50 years.

Against the backdrop of the Edo treasury devaluing currency and driving many into poverty, Hanzo Itami enforces the law without regard to status. He shows inadequate respect to the treasurer, who wants him dead.

Two interwoven stories. The first is a biography of anarchist Sakae Osugi which follows his relationship with three women in the 1920s. The second centers around two 1960s students researching Osugi's theories.

Hell manifests itself through the sins, shame and desires of an upper class rural family and a mother's grief from beyond the grave.

About 1786 the doings of a demented lord results in many masterless samurai, including Iyemon (Kei Sato) who is used to luxury and cannot adjust to the hand-to-mouth conditions & piecework of umbrella making. Having hired ruffians to make him look like a superior swordsman, he arranges for himself the opportunity of a profitable marriage. He hires the half-blind masseur Takuetsu (Sawamura Sounosuke) to seduce or rape his wife (Kyoko Mikage), so that she can be divorced or killed for adultery. But the masseur takes pity & informs Oiwa of her husband's horrid plot. Assisted by the merchant's daughter he intends to marry, Iyemon disfigures his wife attempting to poison her so he can marry higher. There's a lovingly gruesome sequence as she combs blad patches into her hair, kneeling deformed at her mirror, weeping with bitterness. She eventually cuts her own throat, swearing revenge.

In this intricately layered Japanese film, the nature of actresses and what they gain from acting is explored. The lives of three actresses are laid bare, and scenes from their lives are woven in and out of interviews with each of them. Each of them has experienced a traumatic event which contributes to their particular enjoyment of becoming someone else in dramatic roles.

Based on the life and career of novelist Fumiko Hayashi, she bitterly struggles for literary recognition in the first half of the 20th-century – her affairs with feckless men, the jobs she took to survive (peddler, waitress, bar maid), and her arduous, often humiliating attempts to get published in a male-dominated culture.

The story of a selfless mother and her family throughout the decades, from the 1920's to the 1960's.

Oshima, a rich girl married Shinzo, and her cousin girl Sawa has been jealous of Oshima deeply. Sawa cursed Oshima so Shinzo could not hold her and do anything at all. Shinzo hated Oshima, and he made love with Sawa.