
Acting
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Takumi and his six-year-old son, Yuji, haven't come to terms with their wife and mother's death. One day, they meet a woman with an uncanny resemblance to her sheltering from the rain near their home.

Shohei works as a doctor in a seaside hospital. One day, a new patient is admitted to the hospital with ovarian cancer. Shohei is surprised to recognize Michiko, his first love from high school. Shohei has been leading a dissolute bachelor life, paying for the company of high school girls and dating an older woman who works in a local bar, but in reality, for the last twenty years, he has not forgotten Michiko. Unfortunately though, Michiko doesn't remember him at all. Shohei becomes more and more persistent in his attempts to get her to recall their past. At first she is annoyed by his overtures, but gradually warms to the doctor. Under Shohei's kind and patient care, Michiko's condition improves and her cancer becomes operable. The operation is a success, but now Shohei himself learns that he has terminal cancer.

Shotaro and Minako are arguing. Minako has confessed her infidelity to her husband and informs him of her intention to leave him. She has ceased to enjoy living with a submissive husband. Minako, who works for a construction company, loves her job and is progressing in her successful career, while her husband eagerly takes care of the house and the kids. He buys groceries, he cooks, he does the laundry – constantly. The couple’s arguing intensifies until Minaka files for divorce. Their older daughter Mari isn’t that upset by her parent’s problems as she’s more interested in the piano piece she’s got to play with her mother at a concert organised by her music school; admittedly, she’s also rather interested in her music teacher. But her younger brother Toru feels betrayed by his mother and can’t manage to reconcile himself to his father’s role as a housewife. A partial reconciliation occurs at Minako and Mari’s concert, where their entrance on stage is met with loud applause.

Sequel to the 2002 film Pika*nchi Life Is Hard Dakedo Happy, starring members of boy band Arashi.

While Suzaki Saika (Ashida Mana) is hospitalised for poor health, her father, Tamotsu (Totsugi Shigeyuki) feels torn that he has to leave here and go on a business trip. A portrait of Saika’s late mother is placed beside her bed. Her mother had died in exchange for bringing her into this world. Tamotsu puts a paper with his mobile phone number written on it inside an amulet and hands it to Saika. He asks the nurse Tokunaga Maki (Minamisawa Nao) to keep an eye on Saika, and leaves for his trip. One night, a young girl calls out to a lonely Saika who cannot get to sleep. A long-haired girl in a wheelchair in the old wing befriends Saika and plays with her everyday. However, by the time Saika realises it, she has awaken from her sleep. Was that a dream? When she talks about the girl in the wheelchair, Maki’s expression freezes. What happened at this hospital?

Yosuke Misaki used to be a promising prosecutor, but he suddenly quit his job. He begins a new career as a pianist. He knocks on the door of wealthy man Kentaro Katsuki who lives in a peaceful area of Kamakura, Kanagawa Prefecture. Kentaro Katsuki lives with his housekeeper Michiko Tsuzuruki (Midoriko Kimura). Kentaro allows Yosuke Misaki to stay at his home. Near Kentaro Katsuki's home, lives the Sanada family. At their home, Haruka aspires to become a pianist. One day, a fatal fire breaks out at the Sanada's house. Later, Yosuke helps Haruka to play the piano again.

Yuka, a troubled young woman who suddenly begins working part-time as a high-class call girl, finds unexpected romance while on the job.

A female career banker shatters the glass ceiling of a mega bank by disclosing its shady business to light. Tamaki, the Gold Woman, has worked her way up to be appointed General Manager of the office regarded as the General Staff Headquar- ters of the Bank with an assignment to liquidate its subsidiary by laying off 200 employees in total. Such mentally challenging appointment was made via recommendation by her senior colleague Mai, a smart and foxy woman running ahead of Tamaki in her career. With the help of her male colleague, Tamaki, a lone female wolf dares to challenge the all-male executives to prove what a true business person is all about.

Saru is a talented young locksmith who unlocks any kind of lock. He is, however, a complete fool when it comes to women. One day a girl Mayumi asks him to open a safe full of stolen money. Knowing nothing about it, Saru takes the money briefcase with Mayumi and finds himself with yakuza gangsters and also police in hot pursuit.

A new interpretation of "Records of the Three Kingdoms," which is historical text of the three states of Wei, Shu, and Wu in China.

