Julie Andrews was nominated for an Emmy for portraying the titular scullery maid who finds true love with a prince in this legendary adaptation of one of the most famous fairy tales of all time. A musical, made-for-television, with music by Richard Rodgers and book and lyrics by Oscar Hammerstein II, it is the only of the legendary composing team's musicals created specifically for that medium. It was originally broadcast live on CBS on March 31, 1957, and was a phenomenal success, viewed by more than 107 million people. Though it originally aired in full color, only a black & white kinescope of the production has survived.

School girl Annabel is hassled by her mother, and Mrs. Andrews is annoyed with her daughter, Annabel. They both think that the other has an easy life. On a normal Friday morning, both complain about each other and wish they could have the easy life of their daughter/mother for just one day and their wishes come true as a bit of magic puts Annabel in Mrs. Andrews' body and vice versa. They both have a Freaky Friday.

To escape from a mobster, businessman Gaetano Proclo orders a cab driver to take him to a place where he can't be found. Unfortunately for Gaetano, the place turns out to be a gay bathhouse.

Harry and Sue Lewis met in the 40s as teenagers living in the Bronx. He was an aspiring architect, she was the most beautiful girl in school, and both had a fondness for bran muffins. They fell in love, got married, moved to Los Angeles, and had two kids. While struggling with his midlife crisis, Harry receives an invitation for his high school's reunion back so he takes Sue and their teenage kids on a cross-country car trip back to the Big Apple. Will they see in the Bronx what they expected? Will the good memories from their past help rekindle their fading love? Is it too late to dream?

10-year-old Eddie runs away from home with her best friend Ava, a two-ton circus elephant. They're pursued by everyone from the police to the circus' owner

Broadway: The Golden Age is the most important, ambitious and comprehensive film ever made about America's most celebrated indigenous art form. Award-winning filmmaker Rick McKay filmed over 100 of the greatest stars ever to work on Broadway or in Hollywood. He soon learned that great films can be restored, fine literature can be kept in print - but historic Broadway performances of the past are the most endangered. They leave only memories that, while more vivid, are more difficult to preserve. In their own words — and not a moment too soon — Broadway: The Golden Age tells the stories of our theatrical legends, how they came to New York, and how they created this legendary century in American theatre. This is the largest cast of legends ever in one film.

Dodie dreams of marrying a millionaire so that she can live 'the life'. Buzz, her boyfriend, however, is not rich as he is a salesman for a housing development. He proposes and Dodie accepts. Dodie next meets Pete, who she thinks is rich, but she soon finds out that he is just a boat mechanic. They have fun on their date and Pete proposes and Dodie accepts. Then Dodie meets Neil Patterson who is rich. They go to Mexico on his yacht and have fun on their date. Neil proposes and Dodie accepts. Now she has to choose.

When the cameras rolled, Doris Day wore a happy face, never hinting at the pain she endured in her personal life. This documentary brings viewers close to the real Doris Day through the eyes of her friends and family members and with the help of film footage, newsreels and photographs. What surfaces is a complex picture of an equally complicated woman who faced problems far more formidable than her cinematic image revealed.

Story follows the life of Polly Adler, who grew to become one of New York's most successful bordello madams of the 1920s.

From the elaborate Broadway revival of the 1932 Eva Le Gallienne/Florida Friebus production comes a whimsical retelling of the Lewis Carroll classic.