During a winter getaway at an isolated cabin, a self-destructive young woman becomes convinced that her best friend is stealing her blood.

Last year, Kaye Adelaide and Mariel Sharp won Best Canadian short for their incisive and charming short comedy, DON’T TEXT BACK. This year they're back with the gritty and erotic monster love story MONSTER DYKE. A transgressive portrait of desire shot on 16mm, MONSTER DYKE examines trans-lesbian love and longing with humour, heat, puppetry and a subversive twist. – Justine Smith

A woman seeks the help of an energy healer to rid herself of a cursed necklace that strangles her every time she doesn't text back her bad Tinder date.

A woman seeks the help of an energy healer to rid herself of a cursed necklace that strangles her every time she doesn't text back her bad Tinder date.

Nicole, an eight months-pregnant videographer is hired by a lesbian lifestyle influencer couple to film a redemption documentary after they’ve been publicly cancelled, but Nicole quickly discovers that the couple have nefarious ulterior motives.

Nicole, an eight months-pregnant videographer is hired by a lesbian lifestyle influencer couple to film a redemption documentary after they’ve been publicly cancelled, but Nicole quickly discovers that the couple have nefarious ulterior motives.

Nicole, an eight months-pregnant videographer is hired by a lesbian lifestyle influencer couple to film a redemption documentary after they’ve been publicly cancelled, but Nicole quickly discovers that the couple have nefarious ulterior motives.

Last year, Kaye Adelaide and Mariel Sharp won Best Canadian short for their incisive and charming short comedy, DON’T TEXT BACK. This year they're back with the gritty and erotic monster love story MONSTER DYKE. A transgressive portrait of desire shot on 16mm, MONSTER DYKE examines trans-lesbian love and longing with humour, heat, puppetry and a subversive twist. – Justine Smith

Last year, Kaye Adelaide and Mariel Sharp won Best Canadian short for their incisive and charming short comedy, DON’T TEXT BACK. This year they're back with the gritty and erotic monster love story MONSTER DYKE. A transgressive portrait of desire shot on 16mm, MONSTER DYKE examines trans-lesbian love and longing with humour, heat, puppetry and a subversive twist. – Justine Smith

Last year, Kaye Adelaide and Mariel Sharp won Best Canadian short for their incisive and charming short comedy, DON’T TEXT BACK. This year they're back with the gritty and erotic monster love story MONSTER DYKE. A transgressive portrait of desire shot on 16mm, MONSTER DYKE examines trans-lesbian love and longing with humour, heat, puppetry and a subversive twist. – Justine Smith