A camera races through the city, a camera licks its way around a room. Their gaze identifies with the artist's eyes, sits in his daily life, and looks around him. A high school girl, a grandmother in a liquor store, Pico the chicken. The author screams chases and beats up a man like a madman. This is a diary film in which we are forced to identify with the filmmaker through a hand-held camera that records the entire film.

A camera races through the city, a camera licks its way around a room. Their gaze identifies with the artist's eyes, sits in his daily life, and looks around him. A high school girl, a grandmother in a liquor store, Pico the chicken. The author screams chases and beats up a man like a madman. This is a diary film in which we are forced to identify with the filmmaker through a hand-held camera that records the entire film.

A camera races through the city, a camera licks its way around a room. Their gaze identifies with the artist's eyes, sits in his daily life, and looks around him. A high school girl, a grandmother in a liquor store, Pico the chicken. The author screams chases and beats up a man like a madman. This is a diary film in which we are forced to identify with the filmmaker through a hand-held camera that records the entire film.

A camera races through the city, a camera licks its way around a room. Their gaze identifies with the artist's eyes, sits in his daily life, and looks around him. A high school girl, a grandmother in a liquor store, Pico the chicken. The author screams chases and beats up a man like a madman. This is a diary film in which we are forced to identify with the filmmaker through a hand-held camera that records the entire film.

Two years after the film "Yumika", Katsuyuki Hirano and Yumika Hayashi go out on a bicycle trip again. Included in the "Yumika" 1997 DVD.

Produced at the same time as Mito Torture: Oedo Dragging. This is a drama, a violent drama depicting a love triangle over a cute woman at a convenience store. At the time, small, high-performance video cameras called Handycams were beginning to appear on the market, and I came up with a drama that used this voyeuristic, criminal perspective. The convenience store was borrowed from the real thing. We aimed for realism.

The director himself narrates the story of a boy throwing a knife in an abandoned building.

A drama in which the main character Hashi, a motherf*cker, heads towards a shocking end. The green clothes Hashi wears were hand-drawn by Gyoshu.