The film tells the story of a young woman trapped between her own desires and the expectations of the others.

Inspector Sörensen has finally retreated to the Frisian province, but he still has to contend with his own inner demons. Loneliness, insomnia and inner restlessness plague him, and although he does everything he can to stop taking his medication for the anxiety disorder, he remains trapped in his psychological torment. One dark night he almost runs over a young, disturbed woman on the country road. She is malnourished, wears only a nightgown and is blind. After she finally reveals her identity to Sörensen, a web of murder, religious madness and well-kept secrets begins to unfold before him. Sörensen is overwhelmed, not only by the shocking situation, but also by his own demons, which are gaining power over him again. The villagers reject him, and as fear takes hold of him again, he will soon realize that it won't just be a corpse.

Hajo Siewers lives with his wife Vera and his teenage son Marvin in a residential area for single family homes. He has a tendency to stretch the limits between truth and lies. One day, he might have gone too far and risks to lose everything he loves.

For Pastor Judith Ehrmann, her job as an emergency counselor is more than just part of her job: giving people assistance is a vocation for them. But when a classmate of her son dies in a car accident, that's unusual. Judith begins to doubt: herself, her job - but also her family. For all at once everything seems to indicate that her own husband and son were involved in the accident and now want to cover this up. The emotionally intense drama of award-winning director Aelrun Goette raises fundamental themes without giving easy answers.

Project manager Kevin returns to his childhood on the island of Sylt on a vacation with his daughter, motivated by closing a big deal there, since his company plans to build luxury apartments on a piece of land.

Nick Gutlicht lives of illegally selling valuable books, owes money to a bunch of other crooks and has to hide from them. By chance he ends up in the mansion of the famous, now very old philosopher Curt Ledig, who despite the age related forgetfulness and pathological kitchen phobia resists to move to his daughter. Nick is hired by the family as watchdog. Now Curt can work on a presentation for the upcoming symposium, which anybody thinks he's capable of anymore. Nick thinks he has an excellent hiding place. This partnership of convenience of the two individuals quickly develops its own momentum. Curt regards Nick as an exciting research object and subjects him to an absurd therapy. For Nick it's a unique opportunity to fund his finances with Curt's phenomenal library. The strange couple is going through turmoil of incalculable proportions.

After 15 years in the USA, a woman in her mid-30s returns to Germany to reconcile with her father, who had broken off contact with her. Before the discussion can take place, the father is murdered. In the course of the investigation, long suppressed secrets come to light.

Hans calls his girlfriend Heinz, which tells you everything you need to know about their relationship. They're a typical couple who're stuck in a rut after eight years. Hans works at a copy shop and Heinz is an actress relegated to voicing a cartoon stoplight. On their anniversary, they go to the movies. It's a romance. But the spark on screen just doesn't strike them. When Hans gives Heinz's ex her phone number instead of putting up a fight over her, Heinz' alarm bells go off: How can this be love? They decided to make a list of everything than makes up a real love: Romance, desire, passion, jealousy, drama – deep feelings, in other words. Hans and Heinz methodically start checking off their list and realize: Real life is nothing like the movies.

Hanns Zischler embarks on a walk to Canossa in "Prof. Wall in the brothel": A law professor desperately wants to make amends, that through his guilt an outstanding student has broken off and now works as a prostitute. With targeted provocations Emilia Schüle as Aurelie takes apart his self-righteousness. Director Stefan Krohmer focuses on the psycho-duo of the excellent leading actor in his chamber-like staging: The longer the dispute lasts, the more the original balance of power between the prostitute and her unusual client turns upside down.