Looking for evidence that her husband may have been unfaithful, a woman is in a hotel, accompanied by a witness, and they are peeking through the keyholes at the guests. After looking at a couple of rooms inhabited by strangers, they see a tray of drinks taken into room #9, but the room turns out to be occupied by a group of men playing cards. Still the wife continues, sure that eventually she'll find what she's looking for.

Kathryn Osterman, the well-known vaudeville comedienne, in a complete exposition of the methods of "making-up" the face for the stage. She shows the penciling of the eye-brows, blackening the eye lashes, rouging the lips, applying the grease paint and so forth. The work is done in a very dainty and interesting way. Only the head and shoulders of the subject are shown; the figure thus being very large. (AMB Picture Catalogue, 1902)

Kathryn Osterman was a legitimate actress who worked occasionally in the movies during the first decade and a half of the 20th century. This looks like a Mutoscope cut-down of an actuality released in 1900, "The Art of "Making Up"". In it, we see her from the rear, sitting in front of a dressing mirror, putting up her hair and powdering her face.

When Carl Evendorr (John Dunn) comes into money, his wife Irene (Kathryn Osterman) becomes greedy and socially ambitious. She foolishly allows a social leech, Mrs. Wharton (Clara Whipple), into her life and the woman does everything she can to manipulate money out of her. Mrs. Wharton and her associates put Irene in a compromising position and her husband walks in and believes the worst.

Kathryn Osterman breaks egg into a plate. As the content reaches the plate, it transforms into a baby chick. Action repeats twelve times through stop-action photography.

A woman and her guests frantically search for her missing child, who is eventually found playing with her dog in the kennel.

A study in moods. A handsome girl is plucking the petals of a daisy, and repeating the well-known doggerel. The first daisy tells her that her lover loves her not, but she determines to try again, and the second flower is more favorable, much to her delight. Figure very large.