"Stranger Than Paradise," vaguely associatively linked to Jim Jarmusch's wintery Eighties road movie, is a genuinely film-choreographed work: a hybrid, subtly futuristic chamber play for eight people and an investigative camera. Set in sunken moods and deceptive images, this dance film is an elegy that marks the transition from one species to the next. "Stranger Than Paradise" is a reflection of the systematic expansion of the human and animalistic into the mechanical and sometimes their hybrid existence. The body is obsolescent: it is still needed but the preparations for its abolition are in progress.

Five people who are in a show at a bar, who live in this hotel and have very different relationships with one another. After the show – they are already sleeping – they are woken by Pan for the night and therefore wake up to the destruction that is held within them.

Exploring the mechanisms of the Nazi seizure of power and focusing on forgotten sites in Saxony and Thuringia, the film investigates early "wild" concentration camps established after 1933 for the suppression of political opponents.

A film about the question of what it means to live a life that has no negative consequences.

In her desperate search for sleep seventeen-year-old Eva does everything to stay the night at other people’s houses where she watches others while sleeping. When being awake through the nights, Eva takes us to the backside of normal life at the same time forcing her family and friends to develop a different perspective on what they thought is „normal“.