A man takes up residence with a mysterious marquis and is soon persuaded to enter into an asylum for preventative therapy. Things are not what they seem, and the marquis may be even more sinister than what the young man might have predicted.

An image and music collage - a cinema concert - guided by a young sound engineer David, for whom the exhibition on E. F. Burian is an incentive to take more interest in this avant-garde artist. The film interweaves two strands - documentary and factual, drawing on contemporary material and archival images - and fictional with the story of David the sound engineer.

The distressing fate of the Czech great Jan Amos Komenský, forced to leave his homeland after the White Mountain disaster. It depicts his encounters with various European personalities of the 17th century - the Queen of Sweden, artists and scientists. It emphasises the hero's nobility, but also his inner resilience, which allowed him to overcome many personal and professional tragedies. The parable of The Labyrinth of the World and the Paradise of the Heart becomes part of the story. However, Comenius's concept is sculpturally lifeless and, in particular, the religious dimension is "erased" from it. The simplistic biography therefore does not avoid schoolboyish dryness.

A budding teacher comes from Prague to the South Bohemian district town where her fiancé Jakub, a young promising engineer at the local paper mill, lives. Petra is getting to know her new colleagues at school and the children in her new class, and is practicing hard with the Komenium music group, whose members she has known since her studies. She also gets to know Jakub's colleagues and the director of the paper mill, to whose position Jakub would like to be appointed after his retirement. It is this desire for a high position that leads Jakub to behave and act in a way that Petra cannot approve of.