Anita Drögemöller has transformed herself from a small-time street prostitute into a luxury call girl. But one day she finds her former pimp dead in her apartment with a broken neck. Chief Inspector Langensiepen takes up the investigation and discovers an impenetrable web of sex, lies, raison d'état and murder.

The shy Michael Seebisch wants to work even more in the new year. His great love is for computers. Only the enamel of great opera voices can transport him from everyday life to another, imaginative world.

The chaotic journalist Maximilian Glanz is working on his big book that will never be finished, answers letters to the editor of a tabloid newspaper and dreams of escaping to an island and leaving everything behind. His marriage is in crisis. And on the day of his divorce, he meets a new woman in a rear-end collision, who has also just been divorced and with whom he plunges headlong into a new relationship.

The wife of a jet-set millionaire takes a holiday in Berlin and poses for racy photographs. These are stolen, a man is killed, and she decamps to the French Riviera with a different photographer, who may also now be in danger.

A Teutonic lecher on vacation has a wager with some local peasants that he can't make a walking circle from sunrise to sunset to secure some coveted land. The middle-aged businessman embarks on his journey only to be slowed down by the beautiful reporter Scarabea. With thoughts of drunkenness and sex on his warped mind, the man tries to circumnavigate the parcel of property. The story is a retelling of an ancient folk tale told by Tolstoy where the initial victim bets his soul to Satan against the land he desires.

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.