Alexei, after spending 15 years in prison, is released on probation. It is difficult for him to accept the new order. Ridden with guilt, he tries to come to terms with his daughter Maja, who has become a prostitute.

It is highly probable that before their own death, everyone has to organise someone else’s funeral. This is by far not an easy task. In addition to the searing grief, dying also brings a number of tasks that are at once utterly alien and intensely time-critical. The main character of this film, Dovile, who unexpectedly has to bury her father, has to face the bedlam of exactly such a challenge. Overnight, the young girl has to become a skilful organiser of a family event, while also being a specialist on coffins, urns, wreaths and funeral feasts. Dovile’s journey towards organising a perfect funeral is inevitably full of hardship and mishaps, accompanied mainly by black humour and comical situations.

The year 1991. A hot summer night. Lithuania-Belarus border. It is nearly dawn. There are two customs wagons on the roadside. One of them has been burnt down. In the other one, border guards sit in silence. Someone opens the door without knocking.

A gambling villager Julius suddenly wins 3 million euros in a lottery and does not know what to do with it.

German artist Adolf Menzel's unfinished painting Kircheninneres comes to life in a vision of a post-apocalyptic world where modern society is left in ruins and the only way to survive is to dominate. The plot of the film focuses on two gangs of young men fighting over a church that has been transformed into a shelter. The protagonist, a member of one of the gangs, tries to navigate between the desire to survive and his humanity. He seeks to protect the one he loves, he does not want to betray his friends, and therefore he does not withdraw from the fight. When the gangs clash in a brutal battle, the wounded hero is rescued by his beloved at the risk of his own life. The hero's friends win the battle, but instead of joyful bells, the thunder of fighter jets rings out, blending in with the brushstrokes of the unfinished painting. The lovers fail to protect each other from their inevitable fate.

"Super,"" ""the best movie in the world,"" ""When can we download it?""—these were some of the reactions to Tadas Vidmantas' controversial debut film Gautas iškvietimas. Now, less than a year later, the trilogy concludes with Gautas iškvietimas 3. Following their unexpected success, the 7th Police Precinct faces a rare challenge—spending large sums of money. Their motto shifts from ""Protect, Serve, Help"" to ""Buy, Spend, Waste,"" but they soon realize that money can't buy happiness… though that won’t stop them from trying. Chaos follows them everywhere—dangerous calls, absurd situations, and endless trouble. Do riches change people? Which officer is expecting a baby? And will all beloved characters make it to the end? All this and more in the wildest, most star-studded Lithuanian police comedy yet—Gautas iškvietimas 3!

Milda is planning to spend a night with her friends, but the news of her grampa's death slowly sets in.

A blue screen informs that war has begun. What will be needed? Collect the men, find guns, or maybe someone will give them. We need a location, a country where the war would take place. No problem, the Colonel is a real pro, he has caused wars to order, or on orders, on multiple occasions in different countries. Now his followers have grown up and caused a war in his country. He doesn’t want to, but he has to fight. He is old and tired of war. He wants to be at the table with a steaming pot of tasty mutton ribs and stare at an innocent TV screen with the news on, and the dressed-up news reporter announces that the war has begun.

With gentle irony, “Cinephilia” unmasks the illusion of film. Characters migrate through the worlds of reality and fantasy, in circumstances that paradoxically have no questions or answers. The two moons of Lars von Trier shine in the night sky, entrancing the main heroes, Roland and Isabel. Roland rents himself a room where he winds up in situations reminiscent of the plots found in Franz Kafka’s “The Trial” or Roman Polański’s “The Tenant”. A guy visits Roland, claiming that they known each other, and offers him a lot of money to film his suicide. There begins a kaleidoscopic sequence of events and random acquaintances. They make the characters wander through the worlds of reality and fantasy, sometimes both at the same time. A dark comedy that tells nine related stories in which the fates of the characters intertwine.

When Marija learns that her unstable boyfriend has disappeared, she takes to the streets in an attempt to find him.