It's no big secret that twelve-year-old Hannes is in love with his classmate Carolin, who he compares to a beautiful white cloud in the sky. But when Carolin spends most of her time exploring the village's history with Benno, Hannes becomes increasingly jealous of his rival. The only person who is happy about this situation is Kerstin, who is in fact interested in Hannes. In order to impress Carolin, Hannes takes her and several others out for a boat ride in the nearby Bay of Greifswald, but his plan takes a deadly turn as a storm approaches.

1831. A village schoolteacher Matthias Spitzbart dreams of the ideal school and writes a textbook on the perfect educational institution. When he becomes principal of a grammar school by chance, he puts his ideas into practice. His almost missionary-like zeal blossoms in wondrous ways, but his family idyll is deceptive. Entangled in his activities, Spitzbart fails to see his wife's affair with pro-rector Mehlmann, daughter Friederike flirts with the trainee teacher, and son Michael's misdeeds are enough to make a mockery of his efforts at exemplary behavior. Teachers, parents and the mayor are of the opinion that he has upset everything that worked before: he is dismissed...

In a small town, everyone has tried to forget what happened shortly after WWII. That is, until a stranger finds a book that Jadup (Kurt Böwe) gave to the young refugee Boel (Katrin Knappe), who resettled in the town over 30 years ago. Painful memories about Boel and the post-war period begin to surface and shake up the whole town. Boel vanished back then and nobody knew why. Word spread about a rape and some tried to blame a Russian soldier. Jadup, the town's respected and popular mayor, remembers, though, how he mistrusted Boel and did not help her through this difficult time; HE didn't even notice THAT Boel loved him. Jadup's confrontation with the past gives him a new, critical view of his current situation and surroundings.

In the wintry Baltics, a century is drawing to a close and with it the era of the old Junker aristocracy. Pastor Erwin Wenger falls in love with the beautiful Baroness von Werland. This love plunges him into serious conflicts of conscience, especially as he does not appear to be the young woman's only admirer. Her husband, the ailing Baron von Werland, seeks to be close to the pastor. And it is not only the baron's health and the old castle that increasingly deteriorate, but the man of God's moral stability also begins to waver ...

On the occasion of their daughter's birth, the king and queen give a lavish feast. Among the guests are twelve fairies who endow the infant in the cradle with all good qualities. As the king loathes diligence, he does not invite the thirteenth fairy - the fairy of diligence. A captain lets her slip into the castle and she casts a spell on Sleeping Beauty, wishing death upon her. The twelfth fairy transforms and mitigates the spell. On the day she turns fifteen, the princess is to sink into a hundred-year sleep after pricking her finger on a spindle.

Even the military academy can't stop kind-hearted officer Gottfried Engelhardt from seeing the world through rose-colored glasses. Everything in the young GDR is blooming: Engelhardt's career, the socialist state, the black market, and maybe even a chance at love.

As American settlers encroach on the lands of the Lakota people, Tokei-ihto witnesses the murder of his father at the hands of Red Fox, who wanted information on where the tribe finds its gold. Two years later, at the height of the Great Sioux War, Tokei-ihto and Red Fox meet again.

The fun-loving, 26-year-old architect Franziska Linkerhand (Simone Frost) works for a famous professor. Yet, she feels restrained by her dependence on him and longs to take risks. When her marriage falls apart, she moves to a small town for a fresh start. Franziska approaches her new life with vigor and idealism. Many of her colleagues have given in to the dictates of economic restrictions and prefabricated apartment blocks; but Franziska hangs onto her ideals and, as in her private life, is not willing to compromise…

At the textile company, everyone appreciates the work of 18-year-old Susanne, but nobody really considers her a woman—including Lutz, with whom she is in love. She sets about to make a change, but it is only when she realizes that she is being taken advantage of that a more self-confident Susanne emerges.