Acting
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A group of youngsters establishes a private university after failing to get high grades in high school. They reveal through this university a lot of errors and constraints in the educational system in Egypt, which affect even their personal lives.
Youssef, a student at the Faculty of Fine Arts, responds to the call of talent and love of drawing against his family's wishes.
A photojournalist bears witness to a murder and takes photos of the incident, only to find himself involved in the crime. When he becomes a suspect, it's up to him to prove his innocence.
Over the course of one night, the journalist Omar embarks on a risky adventure in order to save himself and his friends.
In Egypt, an iconic archaeological painting by an Italian artist is stolen, and the abbots deliberately conceal the crime to avoid scandal. This incident reignites an old conflict between Father Maurice and Father Francis, stemming from their differing views on life.
Hisham and Hadia, who work at the same advertising agency, an invitation to spend a vacation in Marsa Alam, in a resort owned by Sherihan. Hisham takes his wife, Aida, and Hadia takes her husband, Adel, and the four of them go on a vacation that will put their marriages to the test.
Four brothers committing crimes with a promise among them to stop someday. When a deal goes south, the older brother says it's enough, but the other three disagree and recklessly do business with a wanted crime lord.
After killing an orphan boy called (Karim) with her car, (Mona) suffers a psychological shock that made her imagine that Karim lived and grew up. She writes a novel about him and imagined herself to be (Nour) the heroine of the novel,who loved (Karim) and wished to live with him.
Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.
When a day in the life of a beleaguered Egyptian filmmaker goes sideways, he witnesses anew issues like class and gender relations.
A shy, uncertain man drives his car listening to an aria at night, with his more confident brother, a self-obsessed actor, tied up inside the trunk. They soon arrive at a clearing. The driver digs a ditch and begs his captive to lay inside it. As the story unfolds, the two characters’ dynamics start to shift. The two brothers’ confrontation heats up even more. The whole scene is covered in red. There’s no turning back at this point.