A batch of 110 love letters exchanged by two lovers in the 1950s, discovered in Mato Grosso do Sul, is the starting point for this film.

Inspired by popular cult, O COVEIRO is part light part darkness, a bedtime story and almost a nightmare. A child is born and his parents die of fright just to see him. André Gil Mata revisits the traditional Portuguese tale, in a fantastic movie where heads bounce, but you hear a song.

On the triple frontier between Brazil, Colombia and Peru, the twin towns of Letícia and Tabatinga form an urban island surrounded by the Amazon rain-forest. Following the ordinary events and the constant come and go of people along the border, Terras portrays the presence and the influence of the frontier on the lives of its inhabitants.

On the violent border between Brazil and Paraguay, a war is being waged around the expansion of agribusiness. On one side sits lawyer Luana Ruiz, the heiress to contested lands and one of the strongest supporters of president Jair Bolsonaro. Ruiz, like other ruralistas—rural wealthy elites and agribusiness producers who advocate for Indigenous cultural annihilation—has become empowered and her ideas of hate have flourished under Bolsonaro's anti-Indigenous agenda. On the other side sits teacher, Guarani-Kaiowá leader and activist Alenir Ximendes, embodying powerful Indigenous resistance and communal ideals. Having personally suffered losses at the hands of the ruralistas, Ximendes emerges as a powerful force against Ruiz, fighting for the protection of her community, their lands and Indigenous constitutional rights. This film contains sensitive images and dialogue in its portrayal of this urgent struggle for sovereignty.

In a lake surrounded by buildings, a man builds a boat.

Birth, life and death of a carnival sculpture. Linked to the mythology of the Orixás, a metaphor of creation based on the Babalotim doll, a boy idol who has lived through many carnivals.

Urban legends, memories of a family and where they live. A story about wolves, snakes and pigs in a favela complex.

Hilda must be responsible of a decision that she took long time ago. Her life is altered by the news that her son is coming to visit her after several years away. She tries to replenish her weathered image by the passage of time. This will stir her reality and her link with the past.

In 2019, the leakage of messages exchanged by authorities in Brazil undermines the credibility of Operation Lava Jato. A group of journalists follows the unfolding of the case, in a sequence of crises that puts Brazilian democracy at risk.

“There must be a different solution than the one from hell’. Full unadulterated terror (and music). 'The best class always ends with a lesson'. Almost baroque in its ambition and detail, Akerman and Seabra Lopes’ mesmerising short film delves deeply into the hard-wired dread of music lessons. Sewn around Schubert’s steely Opus 1, which is itself based on the no less terrifying legend of Goethe's Erlkönig, their film is a revelation.” International Film Festival Rotterdam.