Writing
Karel Tuytschaever (°1985) graduates from the Royal Conservatory Antwerp in the Drama, an acting education led by Dora van der Groen. A great importance to him is the interaction between his executive work as a performer, his own research traject and work as a maker and his professorship. His background in drama and dance as well play a key role in this triangle. As an actor Karel contributed to plays at theatre houses such as De Tijd, Toneelhuis, Schauspielhaus Wien, HETPALEIS, Detheatermaker, Lab. Troubleyn/Jan Fabre, De Parade, Kaaitheater, Barre Weldaad, Frascati, HertogsHaest and Over het ij. On tv he appears in series such as Witse, Zone stad, Aspe, Binnenstebuiten, Crimi Clowns, Familie, De Vijfhoek, De Kroongetuigen, Professor T, Code 37, Tom & Harry, Tytgat chocolat, Zie mij graag and De Ridder. He plays in films like Rotkop, Do you know what love is and De handel in emotionele goederen. In September 2015 BARRY is founded based on the necessity to create an environment where Karel’s hybrid work can be supported, created an spread. Since 2009 Karel is a regular instructor at the Royal Conservatory Antwerp. He mentors, coaches in acting for the dance department and motion for all drama students. From 2015 on, he started as coordinator of the yearly interdisciplinary research week between all departments of the School of Arts, Common ground. As a core member, he is part of the Erasmus+ research project Rethinking bodies: the tranferable skills of the dance artist (2014 - 2017), which was initiated with the partners in higher education Fontys (Tilburg), Duncan Centre Conservatory (Prague) and NSCD (Leeds). This research redefines the vision of the body in contemporary dance, with themes as Inclusive Dance and Movement practice and Re-designing spaces. As a researcher, he is also involved in a interdisciplinary project with the Royal Academy of Fine Arts, Growinggifs. Bodies are registered and placed in the shared space between analog and digital, craft and high-tech, with new visuals as output. Karel is regularly solicited as a coach and has hosted workshops and masterclasses organized by Toneelhuis, HETPALEIS, KunstZ, theatre studio Nest, OPENDOEK, University of Antwerp and the Amsterdam School of the Arts.

A contemporary fairy tale about humans and nature, with kings, good guys, bad guys, and young heroes. Thirteen-year-old Robin lives in a world where nature is taboo. Plants are dirty, butterflies are dangerous, and the forest is strictly off-limits. The reign of terror of King Ferdinand and his Bureau for Nature Control (BNC) keeps humans and nature at a safe distance from each other. One day, Robin's mother Marjolein disappears during a mission in the forest. Against her better judgment, Robin ventures into the forest in search of answers. There she meets Wolf, an "enfant sauvage." He seems to know more...

Luukas Kolibri is a trader in emotional goods. Together with his only employee, Geoffrey Raeymaekers, he clears out the homes of the deceased and gives their belongings a new purpose. But Luukas is struggling with a loss of his own: his girlfriend Elise has just passed away, and he finds it impossible to let go. As he begins collecting and holding onto her possessions, his grief slowly spirals into a dangerous obsession. Will Luukas be able to come to terms with Elise’s death, or will his fixation consume him entirely?

An unexpected moment in a session with a client confronts a psychologist with his own inner world. Alienated by the isolation of his seemingly perfect city life, the psychologist encounters an extreme inability to understand and embrace his own human nature. His inescapable desires for his male client force the psychologist to look at who he does not want to be. It is the only way that he can find out who he really is.

An unexpected moment in a session with a client confronts a psychologist with his own inner world. Alienated by the isolation of his seemingly perfect city life, the psychologist encounters an extreme inability to understand and embrace his own human nature. His inescapable desires for his male client force the psychologist to look at who he does not want to be. It is the only way that he can find out who he really is.

An unexpected moment in a session with a client confronts a psychologist with his own inner world. Alienated by the isolation of his seemingly perfect city life, the psychologist encounters an extreme inability to understand and embrace his own human nature. His inescapable desires for his male client force the psychologist to look at who he does not want to be. It is the only way that he can find out who he really is.

A woman awaits the arrival of a man. They don’t know one another. The only string between them is the engagement to meet and make use of each other. In an empty house in the woods they are faced with their search for love and their ambivalent sexuality. Bare Romance shows the minimal, raw aesthetic of the waywardly loving body.

A woman awaits the arrival of a man. They don’t know one another. The only string between them is the engagement to meet and make use of each other. In an empty house in the woods they are faced with their search for love and their ambivalent sexuality. Bare Romance shows the minimal, raw aesthetic of the waywardly loving body.
This experimental film investigates the male body image in his intimate space, and at the same time the associated concept of social representation.